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This was in a Vistek ad…some cool tips you may want to use.
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( ?3 _ `1 i" U6 \2 ] RDigital Black and White+ }- h5 x. `+ Z8 b1 w
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.; A$ R) n& ^3 L! I6 ?$ @5 M* \/ Z+ d
Use the shadow and highlights tool in a RAW software program to# T# S4 D* N( K' b& u( X
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
, t y& \" c, }9 B$ y' \. d# _. zmethods provided by RAW and you'll have a correctly exposed black
6 F$ { g7 Q* [ N2 ^8 ~5 Uand white image.0 L) }. j9 Q/ X
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White Balance
* q: M1 w" [1 s" X0 Y' ~, @If in need of a quick white balance tool, you can use a standard
5 z. J( y! K& N3 O+ r+ J- G- kwhite coffee filter. Use the custom camera white balance while aiming
6 {- W' i1 M) Z1 P/ l' ?" {the coffee filter and lens to the opposite of the light source to get white
1 F! @, l J5 Z. Fbalance. I always keep coffee filters in my camera bag for3 ?4 b& D, Q8 t: E" M( r v; X
such occasions.' g' |5 I \$ w: [
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Pseudo ISO Boost; z% P( R) a3 N$ V/ ^
If you’re shooting in the dark at a concert venue and need more
, j- A- {4 U. @' j! P0 L6 IISO boost from your camera and faster shutter speeds - choose $ _' d$ x7 K( K5 o8 _; t
the highest ISO setting on your camera and underexpose your image
' Q5 g+ S# K8 F2 Mby one stop. Then you can use a RAW processor to overexpose the/ N6 X/ N% U8 `
image by one or two stops. Image noise may be higher but this
( z" y( I# _' X, l) rworks very well for concert, venue and event shooting. |
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