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This was in a Vistek ad…some cool tips you may want to use.' P& g" b3 V0 R% Q2 c) P. }
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Digital Black and White5 m$ s. J% ~6 B" n+ Z
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.! l/ j; }3 p B6 a
Use the shadow and highlights tool in a RAW software program to; V: j* D8 J0 G$ y( a* O' y) \8 ?
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White' W2 z* w% v/ ]1 R! ]7 v! V
methods provided by RAW and you'll have a correctly exposed black: [9 W( i4 y3 w c4 D
and white image.
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. A* q5 m4 E6 _# s& U) y) KWhite Balance e; Q H+ V9 l4 ]/ q2 F7 w
If in need of a quick white balance tool, you can use a standard
3 R# H5 Z1 L! G1 j J* q' `white coffee filter. Use the custom camera white balance while aiming
% v8 s* [+ k: l+ P! y' uthe coffee filter and lens to the opposite of the light source to get white
) o+ L( U& o. r+ X5 h$ kbalance. I always keep coffee filters in my camera bag for
; @8 y) B0 f- Z! H3 e0 Dsuch occasions.: R8 N- n# ]7 V- X Z, x) j4 Q
. s% T; B' r" D9 }1 nPseudo ISO Boost) N% f7 t" `- W/ {8 {
If you’re shooting in the dark at a concert venue and need more
9 ~- d/ q0 y% V! _+ c* UISO boost from your camera and faster shutter speeds - choose
# I( O5 n N# L7 C& ~the highest ISO setting on your camera and underexpose your image& c2 S* z7 O' d& r2 h9 \4 v- y
by one stop. Then you can use a RAW processor to overexpose the3 w0 M) N- M1 C1 p. ]- _
image by one or two stops. Image noise may be higher but this$ |: [ K, |& r5 I6 Z, {' u
works very well for concert, venue and event shooting. |
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