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This was in a Vistek ad…some cool tips you may want to use.
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9 ^, F9 g; v( u' f7 fDigital Black and White
* z$ h8 s2 p6 y: ~$ R3 v# F6 ^Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
+ s/ M* v' g2 n) j( t( l$ E8 K* jUse the shadow and highlights tool in a RAW software program to: R& G D( O: k# y5 H5 G
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White; q9 i7 A# ~9 f. G
methods provided by RAW and you'll have a correctly exposed black
! e9 Z) G. x7 r& G5 vand white image. l3 I! v$ f' R" o( S- m" p4 j
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White Balance
* v6 u l: x8 O: `7 C/ f, }; PIf in need of a quick white balance tool, you can use a standard
# |( R7 o' {! v0 [9 e( Z. b8 `& Hwhite coffee filter. Use the custom camera white balance while aiming
. P$ p5 ~/ ]7 h7 h9 C/ Tthe coffee filter and lens to the opposite of the light source to get white/ M/ {+ T D7 d, `$ n! w) M9 c' h
balance. I always keep coffee filters in my camera bag for
( a, ]; k% V+ C4 C$ U; @* wsuch occasions.! ^' l, v5 y1 h* w/ k. h8 V
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Pseudo ISO Boost# [- ]; F# m. R$ A" g9 v9 A
If you’re shooting in the dark at a concert venue and need more
8 k! A9 ?* J, M, t/ B( F4 fISO boost from your camera and faster shutter speeds - choose " \: h% m7 S+ a3 x: k4 P
the highest ISO setting on your camera and underexpose your image2 t5 p; E, b$ G' a! ?$ C
by one stop. Then you can use a RAW processor to overexpose the
4 J7 x9 G4 O- o. M8 uimage by one or two stops. Image noise may be higher but this2 w% _' I# Z( @2 F5 ]; V
works very well for concert, venue and event shooting. |
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