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This was in a Vistek ad…some cool tips you may want to use.% o& H3 j3 q$ p. V7 ` c5 A# z
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Digital Black and White
- }( A1 r7 a4 d. r- vShoot in RAW and underexpose your image by 1/2 stop to a full stop.
+ r: h$ p7 S! v7 @, Q+ VUse the shadow and highlights tool in a RAW software program to$ E9 o& C$ S( w% K, h: A4 V
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
# e- e- s: G( \6 i! dmethods provided by RAW and you'll have a correctly exposed black* W8 J% h& s# S+ w
and white image.+ G) X" E* \1 L& j* _& w' A! f
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White Balance
j. ?# S: ?2 G# }" M/ \If in need of a quick white balance tool, you can use a standard9 c l8 r8 m8 _1 ?& t9 i
white coffee filter. Use the custom camera white balance while aiming% P( P ]( w) U. {1 q+ O) K+ c2 P
the coffee filter and lens to the opposite of the light source to get white
0 X: d m3 U6 R; i9 Obalance. I always keep coffee filters in my camera bag for& s v% Y. x. X3 S( R0 M9 i
such occasions.1 n: C% `$ c: d A V7 @
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Pseudo ISO Boost9 C+ k5 B1 c6 {7 }3 `. G
If you’re shooting in the dark at a concert venue and need more
- C e1 s; b& KISO boost from your camera and faster shutter speeds - choose
5 p, \# r9 j @7 l+ m$ p( \5 v3 e+ Kthe highest ISO setting on your camera and underexpose your image; o+ x" y$ t1 u7 m! I- {
by one stop. Then you can use a RAW processor to overexpose the
/ \! E$ U/ P% ^# Q9 H9 n8 Y3 {image by one or two stops. Image noise may be higher but this
9 |" [6 j- ^ V8 r4 U4 e; C1 b kworks very well for concert, venue and event shooting. |
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