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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
+ {' V( s5 R9 J. E4 c; ^Shoot in RAW and underexpose your image by 1/2 stop to a full stop.3 B5 U6 Q9 c% G/ q
Use the shadow and highlights tool in a RAW software program to3 b) ?3 ~8 V# ]: P
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White9 S$ @" J8 Y( H5 Q5 n
methods provided by RAW and you'll have a correctly exposed black8 j; X$ D+ C. y% r2 o
and white image.% ~5 t) s1 {, S4 `
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White Balance
" s/ o# h# m% q# `9 E" j# RIf in need of a quick white balance tool, you can use a standard
; L N2 b7 g2 M. L% b; _5 S: L6 h9 Qwhite coffee filter. Use the custom camera white balance while aiming) p& z. e3 j/ O) c8 m
the coffee filter and lens to the opposite of the light source to get white
4 p! j& w& E/ L" I, k8 ?balance. I always keep coffee filters in my camera bag for" W9 a6 b3 ~' @0 |
such occasions.
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Pseudo ISO Boost
7 H7 Q# [+ G9 `3 _: f8 uIf you’re shooting in the dark at a concert venue and need more
3 I* V! g4 A& NISO boost from your camera and faster shutter speeds - choose
. H; i @0 W9 v* l" h9 n+ {the highest ISO setting on your camera and underexpose your image
( c% D3 f/ ^2 ~! l Wby one stop. Then you can use a RAW processor to overexpose the7 _9 D+ O& p7 M$ T- L6 D
image by one or two stops. Image noise may be higher but this2 |, z) }# d& Y& Y
works very well for concert, venue and event shooting. |
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