D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
/ C/ N9 ^) E7 M4 q% t6 C1 B% sof the new Nikon D800. Established medium-format image quality is
1 [1 q, S( A* D( }* D" onow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
3 A% B9 b4 v/ [7 H+ @. P% Tmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
3 {7 A  ~8 j* w! n2 c: A( [+ cin low light are just a few features that are glaring improvements. The D800
# P- I6 e) b) y* w6 Jallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
- r+ E% a3 `9 ~! awidely accepted that image quality was compromised in lieu of speed and
& v6 u: n# K$ Vconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
1 O# B0 k- U" g% E( v6 V1 j4 NWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
7 f2 e+ x8 Z7 c5 P# ^range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
4 j* _2 v/ m- t- M2 qD-SLR. The improvements in rendering skin tone and specular highlights, as
9 w% n* C+ L9 U# v% Pwell as fabric and hair detail are superior to anything that has come before.
6 |: i# t9 f9 r9 y7 ]Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
5 }: Z" F1 [. T: }4 \has noticeable improvements in metering accuracy, while the larger LCD is
, y2 a. i8 U  o/ M) v5 x% V9 Keasier to read. The camera body feels solid and ergonomically simple, while
; ~8 T4 [/ G0 I- _also feeling lighter and smaller than previous high-resolution Nikons. New
2 {6 q) R  R0 S; h/ h" vcameras always inspire me to test and explore, and all the useful features
8 i, w* o! P, x* l0 Cin such a compact package will open huge creative possibilities for my highquality
% b, U6 g; ]; m8 i& i" d0 cprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
8 b5 A+ d+ R( e8 K; ]- m% \% H( l% Vare important, they are not the be-all or end-all. But after a lifetime using
1 C1 x; |2 Y8 C# [5 ]  scountless cameras, I have found a new best friend. It was not love at first
4 {* b) {, E+ b+ Z7 e" d3 l6 rsight. The sharpness and detail were initially intimidating, exposing my flaws
4 u% B8 ]; }; d, Jlike never before. Subtle camera movements showed and differences of
* [6 }: l+ W3 d) O# [# u$ H' @acuity between aperture choices on various lenses were apparent. But now I
1 J3 N9 j, R7 F9 ]1 qam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
* a& ~( c) B. o3 @+ jphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
9 _* a5 _* y6 ^9 r. M7 TD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
7 b; F7 a& c) I& k7 z) @+ h# ?! qartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
3 g  z$ L8 n% Kcamera that produces images with such exceptional quality and detail till
) I, w; e1 {- V6 V2 c5 Lnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
. j0 r! X0 j+ v7 b6 o" J* n# gclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
8 z4 W& P' h$ X9 Z+ Irange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
' f* e5 I* w% h. t, fRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
# F  @& A$ o7 m. F# K/ n" KNature (U.S.A.)
Benjamin Antony Monn
% L6 f6 W3 ^" {$ U$ o. `Fine art/Architecture (Germany)
# Q. r' L* o9 `0 u" }. m) EPrinted in Holland Code No. 6CE11030 (1202/A)K

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