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This was in a Vistek ad…some cool tips you may want to use.6 G2 i* n5 R0 o
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Digital Black and White# f! D. r, T* N9 G
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
( L$ _* y8 p6 B ~# r% {Use the shadow and highlights tool in a RAW software program to3 C4 F6 d1 s3 Y- G
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White9 n+ Z- D4 h4 q6 C( T o
methods provided by RAW and you'll have a correctly exposed black4 d) j) C7 ?( V5 C! \
and white image. s6 f: c1 o( y
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White Balance! Z" p. }, `, _& J" M$ J
If in need of a quick white balance tool, you can use a standard5 U) b4 W: I2 V D
white coffee filter. Use the custom camera white balance while aiming
4 ?; r( f* U. `2 X$ j2 ?7 wthe coffee filter and lens to the opposite of the light source to get white/ b, d, v) V" l: W* B. x
balance. I always keep coffee filters in my camera bag for7 G; D" w9 B# @, L# ?) J
such occasions.
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Pseudo ISO Boost
y) D. o5 z" P7 b6 E0 n iIf you’re shooting in the dark at a concert venue and need more
% j; \6 k' ?3 d" ~2 O' ]4 W8 hISO boost from your camera and faster shutter speeds - choose
! @3 N, Z6 }5 a. ythe highest ISO setting on your camera and underexpose your image, H8 Z" x+ u9 A L$ N/ P5 Z$ T; L
by one stop. Then you can use a RAW processor to overexpose the( ]" {/ b" S; L+ L0 t+ A
image by one or two stops. Image noise may be higher but this4 j8 I0 c% {8 q! S
works very well for concert, venue and event shooting. |
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