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This was in a Vistek ad…some cool tips you may want to use.0 H$ D u: Q% l8 r# a
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Digital Black and White' ~# m7 ]* Z4 b+ o
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.) R, S0 n) P, ?. K4 @. T' m* v
Use the shadow and highlights tool in a RAW software program to
- y' e, @6 T3 V8 X, irestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White5 X6 V' q- C' w& c1 w$ R6 Q, D$ F
methods provided by RAW and you'll have a correctly exposed black( y5 P! t% ]+ a
and white image.- F0 x* D0 w7 p! j8 I: ?
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White Balance
: _% u3 H! }4 G8 a% `If in need of a quick white balance tool, you can use a standard W e# I V0 z1 k% J- Z
white coffee filter. Use the custom camera white balance while aiming
$ T j2 f3 |& o. X2 s$ I7 ythe coffee filter and lens to the opposite of the light source to get white: I/ f, ~4 s# P, ^
balance. I always keep coffee filters in my camera bag for E, j! O: S- A4 c5 h
such occasions.5 P u' o! c, U2 p4 w% r$ a
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Pseudo ISO Boost
- d: k) }1 k$ X* _ g" p' tIf you’re shooting in the dark at a concert venue and need more
8 I7 \. H% |5 m+ \/ dISO boost from your camera and faster shutter speeds - choose
7 }/ j6 P3 L, E+ E& q \the highest ISO setting on your camera and underexpose your image( _" ?/ B/ J; U `- i" I* F) Z% X; n
by one stop. Then you can use a RAW processor to overexpose the
9 \0 w. `; g8 H- W$ i. `/ X; mimage by one or two stops. Image noise may be higher but this
/ P/ ?. ^6 ~& z8 g* Fworks very well for concert, venue and event shooting. |
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