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This was in a Vistek ad…some cool tips you may want to use.0 `7 f) G0 u8 @+ q4 S& M) g; g
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Digital Black and White, X: D* L3 C9 I& ^
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
( K, y9 q. u' N) ~) x1 qUse the shadow and highlights tool in a RAW software program to
% z9 M' u! K4 ^8 w3 _- Arestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White; j- |- j% Z( {9 m
methods provided by RAW and you'll have a correctly exposed black
: q9 U4 y& _! I6 x, w- u' Kand white image.
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8 g, n* q; ?* F/ p4 w. bWhite Balance0 O) ?1 @. o [* m
If in need of a quick white balance tool, you can use a standard/ n' Z w6 ]; b/ J: o [2 I
white coffee filter. Use the custom camera white balance while aiming1 [1 @9 e# b4 k5 [3 M8 s
the coffee filter and lens to the opposite of the light source to get white# ~' W7 `9 _0 ~# A( t
balance. I always keep coffee filters in my camera bag for8 ^3 d4 {' i; E5 Q# d/ L. h
such occasions.) D6 V' N; V* _$ y D
, D$ p) r) @$ h' a+ L3 NPseudo ISO Boost9 A* ~& p( W! u. {
If you’re shooting in the dark at a concert venue and need more) E) C" b. ?- I. o- a
ISO boost from your camera and faster shutter speeds - choose
$ z7 G7 {- e6 Z! j5 fthe highest ISO setting on your camera and underexpose your image9 X0 r! k- ~3 L- C& _
by one stop. Then you can use a RAW processor to overexpose the; P9 t7 E$ p: n7 i) l" q& i* r
image by one or two stops. Image noise may be higher but this
" j: _& n, K8 \% U5 H* [works very well for concert, venue and event shooting. |
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