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This was in a Vistek ad…some cool tips you may want to use.* r, ^, g/ ]$ R4 l* r
]% Z0 S, I/ J# z% `: KDigital Black and White
/ B0 Y5 r' Z" x* y4 c5 MShoot in RAW and underexpose your image by 1/2 stop to a full stop.% e- T% ~, D) e
Use the shadow and highlights tool in a RAW software program to
) h6 R9 K: Y7 {& z% G* urestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White0 a/ S" P' c H: m5 N* o# N) J
methods provided by RAW and you'll have a correctly exposed black
% I2 [1 I4 c" Mand white image., l( v1 ], Z) l7 f0 c7 Z% J
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White Balance7 z) i# J" j; J; m# Y
If in need of a quick white balance tool, you can use a standard5 U/ i; U$ r v% A- q& U/ F
white coffee filter. Use the custom camera white balance while aiming! @6 G. V- f7 O
the coffee filter and lens to the opposite of the light source to get white* X# u$ [5 o3 s: r+ j- p
balance. I always keep coffee filters in my camera bag for
, e# r' \; e+ g3 D0 Z' }such occasions.% P9 O* P" T* g& _$ _* L. _7 }
4 {9 v, v9 l/ `/ y/ M% i% H# QPseudo ISO Boost
3 V1 y0 j* }' B0 `2 N2 m$ g( lIf you’re shooting in the dark at a concert venue and need more
3 r0 s: \; d& y" ~9 P6 CISO boost from your camera and faster shutter speeds - choose
& ~0 e. a1 r! C7 U% Qthe highest ISO setting on your camera and underexpose your image
! {* ?9 i* Q# `( P2 |# bby one stop. Then you can use a RAW processor to overexpose the
' o" Q. P4 N" r; _image by one or two stops. Image noise may be higher but this
3 S, M5 _/ V- c+ o: t+ D, s1 Z! aworks very well for concert, venue and event shooting. |
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