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This was in a Vistek ad…some cool tips you may want to use.& c0 k5 ~( d, F) L0 M o, _
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Digital Black and White5 d' \/ c2 X. T' U- |. y
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.- `- _8 N7 T5 ]$ _6 U" M
Use the shadow and highlights tool in a RAW software program to
0 y" I! d ?. {) |" ?, ~/ Trestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
# g; l0 j0 O Y, r$ l# bmethods provided by RAW and you'll have a correctly exposed black j6 N+ t: ~0 q$ Q2 H
and white image.
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$ x; L7 d* `# p9 x: |+ u8 P5 z, ^White Balance
6 f- P6 q; ^- ^9 h1 LIf in need of a quick white balance tool, you can use a standard
8 Z; f/ w* {* `# b |white coffee filter. Use the custom camera white balance while aiming
, S3 d0 p k7 P8 |, R/ bthe coffee filter and lens to the opposite of the light source to get white
* F M, L# J- ybalance. I always keep coffee filters in my camera bag for
% F+ S0 ]2 {2 ^& v7 B; B5 r/ R( zsuch occasions.( b8 X$ g5 h/ H9 F
! c* _" e/ c9 B& f" q% y7 J9 xPseudo ISO Boost5 i3 ~2 ~* @' u5 f' Y3 k" P' f1 B
If you’re shooting in the dark at a concert venue and need more
( G Y1 Z8 C$ |& n. O0 {ISO boost from your camera and faster shutter speeds - choose # ]+ L4 Z; L q( B5 X
the highest ISO setting on your camera and underexpose your image
3 V: h4 K7 ~8 I4 D6 ^2 lby one stop. Then you can use a RAW processor to overexpose the
( M; R- m" y: U' e: L6 W( jimage by one or two stops. Image noise may be higher but this
1 D! O9 d+ n+ M) p; m) f5 Q7 qworks very well for concert, venue and event shooting. |
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