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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
( t! M0 h, w7 `0 \, n- @7 PShoot in RAW and underexpose your image by 1/2 stop to a full stop.
4 d/ A: L4 A7 ]# a& gUse the shadow and highlights tool in a RAW software program to B& q) }6 I( |+ Z2 f+ y
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White& b% h5 w: y y6 o8 k/ Y2 P
methods provided by RAW and you'll have a correctly exposed black8 J3 Q' ?+ r1 F+ V; _" W
and white image.
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+ R) y6 @0 s8 _6 {% [9 a, M0 AWhite Balance
. v1 O/ v2 B' B H1 CIf in need of a quick white balance tool, you can use a standard
8 \2 }% Z# \& x$ a, t7 n4 swhite coffee filter. Use the custom camera white balance while aiming, V4 J* c3 t" o3 t) N6 R* [ ~% Q
the coffee filter and lens to the opposite of the light source to get white
- |7 h" B. w& y0 Mbalance. I always keep coffee filters in my camera bag for
3 T6 y3 j5 m5 o- \/ Isuch occasions.
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' m" S% z$ ]% |6 {Pseudo ISO Boost
) f+ ~2 `% V8 f* e: ^If you’re shooting in the dark at a concert venue and need more
- J: F) M) o* G" ^5 XISO boost from your camera and faster shutter speeds - choose
3 x: }# }2 u$ Hthe highest ISO setting on your camera and underexpose your image* |+ F4 }" O" n8 @. E! _$ l
by one stop. Then you can use a RAW processor to overexpose the
0 A5 {% ~1 s Mimage by one or two stops. Image noise may be higher but this
, M: E- @/ C n/ i% q7 y9 lworks very well for concert, venue and event shooting. |
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