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This was in a Vistek ad…some cool tips you may want to use.
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+ }* @/ s( S; N4 n# {Digital Black and White
. [( S( D1 ^% DShoot in RAW and underexpose your image by 1/2 stop to a full stop.
' w9 ]7 e1 S: @- [- q& lUse the shadow and highlights tool in a RAW software program to
; r: U3 n* d6 ?7 f4 g0 E, `- frestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
$ b( P# m* J) v& A+ d- jmethods provided by RAW and you'll have a correctly exposed black
" V2 \2 [* ]! p" T2 n% xand white image.
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' a. n* R2 ~3 Q3 K5 p iWhite Balance; w- J3 [2 C6 m
If in need of a quick white balance tool, you can use a standard
8 V$ H' M7 [& G0 y }6 _white coffee filter. Use the custom camera white balance while aiming4 u2 Z3 Q: B) D: j7 F) b1 e0 v
the coffee filter and lens to the opposite of the light source to get white
( B1 ?% c5 d$ b$ kbalance. I always keep coffee filters in my camera bag for
$ b- d; P" T7 M- e+ P, K* Vsuch occasions.( o" ^" ^; T' @! M, W
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Pseudo ISO Boost
6 B/ w: z+ |2 u5 uIf you’re shooting in the dark at a concert venue and need more/ O6 g% A% {+ @, l" p
ISO boost from your camera and faster shutter speeds - choose
0 M8 q! c+ A& E. I$ u4 lthe highest ISO setting on your camera and underexpose your image
: \& k2 A% C- J0 v) z* [by one stop. Then you can use a RAW processor to overexpose the& p) a8 ~6 @+ q$ F
image by one or two stops. Image noise may be higher but this
7 P3 x* B$ T" y) Rworks very well for concert, venue and event shooting. |
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