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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White( `0 N' J8 z* [, w; s; i9 \
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
2 z1 x( D% F$ R( {% V6 NUse the shadow and highlights tool in a RAW software program to
" o6 [/ h6 `6 m4 Xrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 ]( K& O9 B3 z/ |/ ?4 {4 ~, W) Emethods provided by RAW and you'll have a correctly exposed black/ u! F7 x$ g$ d. {1 E5 O
and white image.
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: K$ i. i( G4 Q9 U1 G. T2 ~* J# CWhite Balance, b6 `4 J1 B4 C! }7 `
If in need of a quick white balance tool, you can use a standard
, e5 |; J7 _$ c; Y+ F7 n) Kwhite coffee filter. Use the custom camera white balance while aiming6 f7 l4 q" J$ n w
the coffee filter and lens to the opposite of the light source to get white- E) x8 o& j4 c) E+ D/ ~* T
balance. I always keep coffee filters in my camera bag for
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6 g/ v- U' ]4 Z( Z7 lPseudo ISO Boost4 Z6 N- ^8 y1 M1 `& t
If you’re shooting in the dark at a concert venue and need more
; G3 G. P' O+ x9 V: |' p+ P. KISO boost from your camera and faster shutter speeds - choose . B& e3 R( l2 ?& G0 M6 f
the highest ISO setting on your camera and underexpose your image
- E7 @2 p9 O. n+ Qby one stop. Then you can use a RAW processor to overexpose the
* T. L6 B9 x a* p' J5 Q# Jimage by one or two stops. Image noise may be higher but this `2 V; l0 H. D& B* a
works very well for concert, venue and event shooting. |
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