 鲜花( 152)  鸡蛋( 1)
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( K3 P& d7 W. p- e+ l9 vRandy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams
& r8 ^7 R: c+ r7 ~; \4 _Given at Carnegie Mellon University
7 g, J) \% S" x4 q7 oTuesday, September 18, 2007# Y" c+ Y! E9 N& j9 j3 U/ ^4 x
McConomy Auditorium w& x: ], ]- s0 E
For more information, see www.randypausch.com% p" x& y' M$ o% L" H7 @5 F
© Copyright Randy Pausch, 20071
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: o+ |- @3 K+ vIntroduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:
( q) ^; Y! ^+ k5 zHi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled! R9 l* ^5 G* T
Journeys – lectures in which members of our community will share with us reflections and insights* X# ]4 X3 R, D
on their personal and professional journeys. Today’s Journey’s lecture as you all know is by6 h* ^7 X+ [- E) N, h
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.% O3 O) B! G6 q' O
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s( O0 t& Q6 ?- E
friend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice+ M$ R$ R" Z' c
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The
& @7 \* ^! u" p& y/ f G' gSims is one of the most, if not the most successful PC games in the world, with sales approaching
# B% {9 V4 |" e! Rover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and
5 G8 m3 n+ q7 DEducation at EA, bridging academia and Electronic Arts. His goal was to work with academics so
) u) h5 F- L. d8 lthere was an effective educational pathway for kids with building games as their dreams. It was in
# N! f% v8 i3 I# M- V8 Wthat role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
( `0 l G+ M# ^, F2 S; fworldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite
* R, W9 @7 e1 }! m4 P( |magazine in the Southwest, and as CEO there, one of the things he started was school tours,
7 Y! r% [3 R; s% m# qbecause like Randy he shares a passion for inspiring kids of all ages to share their excitement for
1 V( f( W2 Z7 F2 }& e3 P! Vscience and technology.
4 z) G$ r3 r+ A5 ` ]So to introduce Randy, his friend Steve Seabolt. Steve?
3 e. A5 T* d! Z; X& Z- D! B% \[applause]
# C8 ~; E5 i. U+ eSteve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):% T: n4 V" g+ r+ Z
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
) H. p9 p. U1 [8 Gpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it
1 P7 a* K, k+ W# m6 I1 iwas 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.- \, Z) q* ?% h* [2 r
[laughter]7 V# Q2 b: e2 D/ g3 k9 d1 ?
I don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from; d, }$ s1 A; t: `9 M
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
1 _" D" i# X: U$ v0 |+ C2 \20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.4 ^- n; [; P5 _6 p" Y& ~9 n
It’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic7 _+ p5 ?7 K2 x, h
credentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I
& s* L) m5 s2 _& Mcouldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m5 U; Q: r" {2 B3 P; h
not kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
. N" a- [. p2 N' w& {4 W1 l3 lscores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
% l2 I' e& A$ v) M; [5 N, x4 x- ]– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four& a( c2 M9 r' M8 R+ b' A; a: ?
weeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I" u! T/ Z; L" C. d" B5 n* ^# u
said look – we have two choices. We can play this really straight and very emotional , or we can go
& Q; W4 D, {4 M Q- ^, m& t- ?to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called' H6 \: ]0 z8 d- |1 x9 F
him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
* i- P/ O. i6 U8 v# ^5 nwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To, j( \; k; M' L1 `% K2 f' m9 ^. ^4 K
which he responded, we need to find you some smarter friends. [laughter] So you’re all smart4 b! o5 X- W+ Z0 t. k
because you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
/ D6 k" n7 O x6 uRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from
3 q: i% E0 R4 P( K5 F7 N" i" t- }) ACarnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year7 x4 C" A+ ?8 B$ ^
early. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design0 Z v# `- w( F1 v3 ^2 ?3 j0 f
departments. He has authored or co-authored five books and over 60 reviewed journal and
8 V% J% Z9 n+ b% H! Jconference proceeding articles, none of which I would understand. With Don Marinelli, he founded6 K7 m3 y+ X% m& G1 [: F- e
the Entertainment Technology Center, which quickly became the gold standard organization for
4 H4 w# Q' c6 L+ d$ ^$ I$ btraining artists and engineers to work together. It is my view and the view of our company,% d' |2 m9 S+ }8 H% h% s9 ?
Electronic Arts, that the ETC is the interactive program by which all others in the world are judged.
2 w4 O6 z% i V, E2 \1 PI met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
- ]0 Q! ^' }: G+ f2 w9 H; {three years given the depth of our friendship. The ETC already had a very strong relationship with
/ u+ v7 U( Y. o' T2 A) uEA and with Randy. And Randy as he always does, for those of you who know him well, wanted to* @# U- _8 o! B, g7 `
learn more, with his own eyes, about how the games business works, and how games really got
) {- \$ K( W$ e* o# \made. So he spent a summer in residence at EA, and I was his primary contact point. We were in
5 t+ p( e" z5 N2 L6 {1 Bmy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me8 X6 u" o: L3 z" e! [
who went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
V& x" H/ H& j4 nsemester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white
% N9 U! t5 m6 M- z1 j1 _bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more# ?2 a# d% R, N% S5 _0 b( C
“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each
4 z% v' o) [7 c5 l9 U' O0 G0 L; Yother about each other’s very interesting, strange cultures to the other. Academic versus the
R; [( F/ {+ I2 p3 fcorporate world. And we developed a deep friendship woven together with stories about our kids,: ~$ @# z% H# @ p
our wives, our parents, as well as deep discussions about the paramount nature of integrity in7 B8 e/ Q) s0 }; H) @, q' q4 o
everything you do, family first, religion, our shared joy in connecting people and ideas, and) ?4 p3 W8 [# D+ f, {* Y7 i
deploying money and influence to do good. And the importance of having a lot of laughs along the
@# z r9 B3 K2 J& ?5 |$ j$ U6 u/ J( fway.
: r9 t+ k. |6 p. d% e7 y& MRandy’s dedication to making the world a better place is self evident to anyone who has crossed# c, R( _; x+ W. R
paths with him. Whether it’s directly influencing students, creating organizations like the ETC,
2 {* \8 J s! h, @, q/ N8 Wbuilding tools like Alice or doing what he probably does best, which is bridging cultures. As Ben
: P3 Z& c C* Z" ^: E4 \Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,
" d3 c! }0 p' d2 i! w5 G' Hphilanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he* }2 {7 v; c8 {3 {
brings to students and coworkers on a daily basis.! Z! B6 z, A# w# h
For those of you who know Randy, Randy brings a particular zest for life and humor, even while- |- ?5 }; p$ j& O; J" W* h2 u
facing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,- [, j h$ j# A& I0 m) {& h. H
Logan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]$ i& H, a6 b, Z7 d; W2 @( g5 c
Randy Pausch:
; Q/ y- U( H. E9 O0 F" U[responding to a standing ovation] Make me earn it. [laughter]1 k0 D6 V, W0 t- r* k
It’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the; \( o4 S* S* n* Y1 Z" M
Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,- `4 x: J; ^1 S: t) _; k2 G
I finally nailed the venue and they renamed it. [laughter]
3 v5 Q1 U+ c- Q" C. W* x' A qSo, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad% C& p9 y4 D) U2 b4 Z
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT2 _' E9 D) P1 F+ p3 i
scans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good9 l' e5 `$ |3 n6 U( b
health left. That was a month ago, so you can do the math. I have some of the best doctors in the
1 R9 |! x4 P/ E3 eworld. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All
0 u( `2 \8 ~2 m4 r3 Y- x: Fright. So that is what it is. We can’t change it, and we just have to decide how we’re going to4 z+ l5 t# g* ?5 K y
respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t
1 k1 ^! h/ ^5 F! Y, H9 Qseem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
# }# Q( P/ I- ~4 Yam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,, H3 T6 `/ X2 z/ ?0 x
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a/ i- J3 |! }3 e) p. v
better place for the family to be, down the road. And the other thing is I am in phenomenally good" Q0 @, v, ~3 y: X |' h8 z& E
health right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact
% L2 S+ c. t7 U" L. Y0 M4 _# d) othat I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the+ d, k5 f8 K4 z. A7 ]+ W" O8 D# E
ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and
7 l$ |5 P) h0 D1 Xdo a few of those, and then you may pity me. [laughter]2 ~0 v( t R2 V# i6 g* t' `: O; o
All right, so what we’re not talking about today, we are not talking about cancer, because I spent a* ?/ f% u& }+ A: f) a! C n& ?5 w, J
lot of time talking about that and I’m really not interested. If you have any herbal supplements or
4 U8 p$ ], F1 P" ?4 wremedies, please stay away from me. [laughter] And we’re not going to talk about things that are
3 C8 f7 t. P6 Geven more important than achieving your childhood dreams. We’re not going to talk about my wife,
7 I9 H! t4 l! V7 Q; T8 jwe’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that
7 e, ?0 Q+ S& {0 uwithout tearing up. So, we’re just going to take that off the table. That’s much more important.
0 m7 u6 ~4 D: ]; j5 ZAnd we’re not going to talk about spirituality and religion, although I will tell you that I have. g0 G& N5 A( X
achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and
/ O' l* `9 B$ j: ?3 }clapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about3 H2 C1 W4 w' ~5 I
then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that
% ^/ C1 v0 a. V: g+ F0 vway. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons; z% F! K& y$ ^, W6 j7 y
learned. I’m a professor, there should be some lessons learned and how you can use the stuff you# Z2 D9 l- p" a w) _
hear today to achieve your dreams or enable the dreams of others. And as you get older, you may! B+ Z! q2 R3 x* p
find that “enabling the dreams of others” thing is even more fun./ @ Q6 b/ G v
So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
: q8 _3 h" ~' {kidding around. I was going back through the family archives, and what was really amazing was, I9 {4 T) Y$ @1 p! b9 L1 E
couldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
7 s& z: P! l# l! p+ ~thing. There was our dog, right? Aww, thank you. And there I actually have a picture of me# w6 v) D# a5 U$ \/ t0 Q1 X
dreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
! O% r6 e6 x/ g: K7 B/ p" l6 ~8 v" Kare 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.# t$ T$ E2 Q' p, }
And that’s something we should not lose sight of, is that the inspiration and the permission to' P/ x1 w, K d7 E" a
dream is huge.
- O$ I2 e3 b( Y2 L4 O2 SSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]
7 n# ]6 R" `" ~; J3 pBeing in zero gravity, playing in the National Football League, authoring an article in the World Book5 Z: m% f) W; l* h: q
Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have4 a2 A8 W8 f% `5 S* H4 w
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big" S' `9 s# G: M% `
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not
( t3 r6 v- f! Vsorted in any particular order, although I think they do get harder, except for maybe the first one.4 w9 {+ U$ J. X0 g1 |: U) r
OK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an
6 T" B) }/ n8 W9 S4 i6 [! }( Tastronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have- ^1 G$ s# t' e& o6 F' A, X; ^
glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.9 j0 x/ y+ Z9 A: }/ v
So, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation
" g" N& t8 J7 O2 Ron a table top] But that didn’t work so well, and it turns out that NASA has something6 O3 f% O5 _ ]2 B( q+ w
called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,7 [- o2 y, I1 I
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a) Q! v, l' j2 `0 z+ H0 j
rough equivalent of weightlessness for about 25 seconds. And there is a program where college
, p/ e$ s+ k# y- n* _8 o# `6 H" wstudents can submit proposals and if they win the competition, they get to fly. And I thought that
- j& I$ S# {# nwas really cool, and we had a team and we put a team together and they won and they got to fly. o) A" M7 O5 B9 d* Q, M0 |
And I was all excited because I was going to go with them. And then I hit the first brick wall, because
$ w+ H: {: p$ j- x2 Y \6 A, [they made it very clear that under no circumstances were faculty members allowed to fly with the- k! T7 f' B, n/ d
teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
/ u$ h+ \) W2 f3 v/ l9 ccarefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns8 M: j5 o5 q0 w% U
out that the students were allowed to bring a local media journalist from their home town.8 q! H1 G& x; K( l* o2 K8 l \
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a" _; I1 A! @$ `0 S/ x$ p
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some
% D8 c% I1 c$ ?- p$ V5 J( Jdocuments. And they said, what documents are you going to fax us? And I said my resignation as
- X; f) p( [" u1 T* H1 rthe faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t& f& }# l4 Y0 X' R& ]. x; p, E
you think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole
# c4 l) x* R4 B5 I: C: J7 t1 ]bunch of VR headsets and all the students from all the teams are going to experience it and all those) D6 F6 g0 j; K5 T s
other real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
+ B/ I+ C! h6 foh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the& |) D# n& _% o) c* g! `, ]0 U; P
bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring
& l! E- }/ |' k* ~- H6 D2 C4 f$ R5 yto the table, right, because that will make you more welcome. And if you’re curious about what
* P ]$ p' G4 Pzero gravity looks like, hopefully the sound will be working here. [slide shows videotape from3 w; J7 F. \- x1 C, x
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,% s1 E, V) g) A4 { O
as the people in the video crash to the floor of the plane on the video] So, childhood dream number
& a9 J0 ~8 L, E2 Ione, check.
3 ]2 W( e( {( m ^8 H8 aOK, let’s talk about football. My dream was to play in the National Football League. And most of
+ Y4 y) q( M# j- O2 e3 Byou don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,; u! e H; R- @. o# `1 N9 x- _
but I probably got more from that dream and not accomplishing it than I got from any of the ones! m: M* q& o& L1 O& B- l0 A5 ?
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in" J* `: \4 j7 E
the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker
! r5 Z4 t1 d: O1 u4 Z' H0 qat Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.
6 [% X& ^' s$ k' a' r% s" }Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
9 }/ w; _9 {1 kday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t
& _. F* H) O1 p" I. R) dbrought any footballs. How are we going to have practice without any footballs? And one of the9 G; g# R+ f4 M' J3 i7 }
other kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many; ~( I& p% U( F5 o
men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,6 j6 x$ |: r0 b- C8 \3 `/ T
and how many people are touching the football at any given time? One of them. And he said, right,0 {' a; U& A [/ E' h2 Y W2 d
so we’re going to work on what those other twenty-one guys are doing. And that’s a really good
" [, X0 t( T3 p, S' mstory because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got1 Q V! z0 Y7 x2 k
to get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other2 @( `9 c) {' ~3 c1 ^
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing; X. K4 w* f5 a1 L
this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups$ @( ^' r: D" K! a
after practice. And when it was all over, one of the other assistant coaches came over and said,) M h/ j# W9 j% S. f
yeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He
, V3 h9 O, e; r5 asaid, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave2 \) l9 b, T( ?( m
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing0 S: w+ T# K# C- d3 T
something badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your
# X2 ?7 Q* M0 z, n) jcritics are your ones telling you they still love you and care.! b1 ]- H$ _3 F. I- F' m6 E
After Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of
, H% m) q5 \. L+ t4 penthusiasm. He did this one thing where only for one play at a time he would put people in at like
! ^* x" s" @ X3 C2 O) L, `; v" vthe most horrifically wrong position for them. Like all the short guys would become receivers, right?
! S. T: K2 w; E' A5 x$ j' JIt was just laughable. But we only went in for one play, right? And boy, the other team just never: _" h4 k1 \6 |9 @0 o& g
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where+ w; G. F: N$ z+ y9 ?4 S4 x
you’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going
8 R8 r# U! E& c6 Nto clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this- B8 \+ F. L: K* t- f4 |/ b
day, I am most comfortable on a football field. I mean, it’s just one of those things where, you
6 n4 M* Z; O1 ~8 e+ g& h& x9 h5 aknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls( Z2 c. i& b/ W6 I8 l' L
with one of these things, and that’s just because, you know, when you do something young enough4 _" ?6 e: @" \# M- ]
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my k3 d( w+ q$ B( ?2 Q
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more. \; B7 @1 m9 f
valuable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great0 ^4 M5 L/ _4 T: F4 r
right now. _# Y+ f; Z3 D& P* M H5 j
OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is2 ~. V/ p$ j! R- Z
experience is what you get when you didn’t get what you wanted. And I think that’s absolutely; h) g1 C6 O' }1 t3 N
lovely. And the other thing about football is we send our kids out to play football or soccer or
! |3 J7 @0 _+ |0 ?7 A4 kswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or$ ?" @) n; m0 K, {& ?
indirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that
, E9 {& j% R6 g& UI have a wonderful three-point stance and that I know how to do a chop block and all this kind of& r% O# S6 M" _, E
stuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,
( R. ^; l; D5 X, O* jperseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
: [6 a) P* o. D* Z; @And you should keep your eye out for them because they’re everywhere.( f: N& K+ ?% G6 _& ^0 `
All right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
' B- u5 w2 R( n u$ e% k4 B% ~the World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these" V! z2 h H. F2 m; m$ {
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,
* Q: e& O1 V7 Lbut not like a really important one, so I was at the level of people the World Book would badger.
4 ^* u2 {# L( I6 iThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing( J D7 X- T6 q1 ^
virtual reality headset manipulating a 3D world], and there’s an article if you go to your local library
8 l% a% E; E% L* v" V( W, L- Y$ Cwhere they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And
# o& j7 x, O6 Y- f! `( `2 Xall I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
* u6 b1 b' s% K) Z. Rbelieve that Wikipedia is a perfectly fine source for your information because I know what the
7 k+ f# E! X& Uquality control is for real encyclopedias. They let me in.$ D9 o2 K' J5 j, v; w0 M# I
All right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
9 u# m" [1 c6 K0 Ajust realize there are some things you are not going to do, so maybe you just want to stand close to
: J/ ?) B& t- y4 @the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of
2 \9 [- E$ z: s& z: ACaptain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you
/ c0 x) ?+ n9 {' n2 L* n3 m) j& Hwant to be, and what I learned that carried me forward in leadership later is that, you know, he, \/ E* e5 _9 n
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and
# t1 C# f1 e. L! h% FScotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing4 O( k, L2 j5 [" g+ J) y6 C: Q
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or' F' W5 ^: S Y/ B% p( s
not you like the series, there’s no doubt that there was a lot to be learned about how to lead people; @7 i, Q- ?0 b
by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of
+ h2 P2 \, ]: ^+ o) o( oStar Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing5 I$ [& A% C3 p; r
[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just a p& Y, h$ Y( G. d
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of
) x5 D6 U8 K6 J5 A: }cool.
2 c5 i1 V5 v3 CSo I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which5 T9 w7 u3 } y* u
I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author
u# r l0 O/ a8 b4 Jwho is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
/ O) M& U+ i" b7 kcome true. And they went around to the top places around the country and looked at various things
; J A/ C9 p( c* Tand they came here to study our virtual reality setup. And so we build a virtual reality for him, it
8 D9 Q0 D0 P9 O! `looks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it; {' w$ d- B$ |1 l2 b Q5 d6 |
in, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
+ b9 I8 n/ t& C5 d- c) o( s& |[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you
/ }3 D* ]- m* ito see what cool stuff you’re doing in your lab. And that was just a great moment./ d$ L5 E7 s. g7 s) u# I$ r
All right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and
5 q% a% g+ i* h/ ayou see the big buff guys walking around the amusement park and they’ve got all these big stuffed2 e. ?% l$ x" T! _! K
animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
5 a) v/ t: {2 m! G. U! C% Z- b, K7 k[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.5 U& y* H$ ]( E4 w* S
I’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just; H" y' S& W+ L! `
a big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally
) O8 j$ o* s0 Y& P% r* r3 w5 Fmanipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid
" U4 u7 l1 S6 [- M4 N4 ?somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this* i! `% S; T. V* t$ n- h0 i! \* a
age of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them
+ o6 e( }: e5 O& U V4 cout. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
5 R; U6 A$ V# C) N s2 Mback against the wall.
3 m" Q1 S& C7 t6 F' FJai Pausch (Randy’s wife):$ t" ^; L4 r$ T1 k9 B
It’s hard to hear you. [adjusts Randy’s microphone]
7 b% [5 v3 N* N9 y @& e6 FRandy Pausch:
0 r L7 t# ?! _- X& wThanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving
+ k% j* G( M) a7 ~( q8 x4 otruck, and anybody who would like a little piece of me at the end of this, feel free to come up and, V, q- V0 |$ r
take a bear, first come, first served.7 P- F0 C+ y' `- A
All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero
1 a+ v" ^7 r$ u5 d& _" Agravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
. k5 [7 \, \; L4 u% `: `3 ztook a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s* D7 c6 J: _% E. y: _7 x( p( G I
Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And
# P' F- G0 I2 s8 l$ S8 T3 {, u, Y, Fthese are real vintage photographs, and there I am in front of the castle. And there I am, and for1 P9 H/ q# n a# v% Y8 `6 \& D
those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was, P) Y) l d9 F n6 Z4 ?
just the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,
1 W4 r/ B+ K( p. j; U8 hI said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.. r' ~8 A$ `. t
from Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
8 _# r5 F Y3 x! @* Vmy letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest
- K' n9 c. M1 h' f& T* Rgo-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your; C6 V! Y+ U- j+ Q. ~$ k* @
application and presently we do not have any positions available which require your particular
1 E- v0 v' \7 D, N% f$ ^% }+ Tqualifications. Now think about the fact that you’re getting this from a place that’s famous for guys
s% C" ^. c' ~. [+ T7 Ywho sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are% i) |1 u( i0 q) b* e
there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us9 q/ e X i7 `& Y1 A3 ?: Z
a chance to show how badly we want something. Because the brick walls are there to stop the
$ C: D* j T& G* G% k, O; F& Gpeople who don’t want it badly enough. They’re there to stop the other people.
6 ~4 G' _% f" lAll right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
5 t* j* h8 i8 y6 t3 J' d1 LReality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared* q4 @( R- Y* h$ }7 e9 v3 b/ v+ e3 I" H: M
back in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew
* @5 r E# B) ? A" hmy undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to
- p" N$ W8 |& w: O: ]death. And this icon in the user interface community walks up to me and just out of nowhere just( m2 u3 ^! C4 P" S/ y( w
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,2 z, P7 @+ {+ o4 B) m7 U5 f
maybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
3 Q# M* H. }5 m% d- `5 A' Vhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
* E, n! N Y" T8 A' T9 ueverybody felt frustrated. And we literally hacked together a system for about five thousand dollars
2 Y/ b( p; u' zin parts and made a working VR system. And people were just like, oh my god, you know, the
: ]2 L3 d3 N% i) s4 z, qHewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just9 c6 h8 T% q/ h( ]' m
gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in8 L0 W: @+ i H" P. n8 V
virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know
! A4 z2 m3 J. I2 T0 awhat he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m
! I- @. w: H- u: x- G$ \sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
/ ?2 c9 v5 H& q% _8 ?2 j* Yquestion, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little
% |+ t% T* I! s. [7 Fmoment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
5 M4 n& X: h- d* B# tAnd so Imagineering a couple of years later was working on a virtual reality project. This was top+ v* }' J+ t' x) @/ ]
secret. They were denying the existence of a virtual reality attraction after the time that the% q3 G- E' f$ j1 H; o* }! H
publicity department was running the TV commercials. So Imagineering really had nailed this one! f" R2 {6 N% q" W8 \" i1 O, J1 R9 I
tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted S" _# I Y2 _% M* A0 s2 V
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you
- f) c( O6 c* V2 wknow they start running the TV commercials, and I had been asked to brief the Secretary of Defense- p) z, B) @( Q0 N$ S7 p
on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of6 `% k; x5 v0 X' O$ r5 Y
Defense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m) Y( {# J' K2 b
briefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
1 |' I0 `. p) Q& m& W. |best VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism! N" m+ l' g- U6 y$ `) Y7 S
stuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR
1 c7 s0 c/ l C3 h/ gdepartment doesn’t have any footage for you, so I’m going to have to connect you straight through
/ M/ \5 u' x3 [( ^4 N; p" F9 F# ~4 sto the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy
8 Y! O R8 r8 F: N; @6 [6 Wwho is one of the most impressive guys I have ever met, and he was the guy running this team, and
2 _% n. a' U! F# e+ D7 S* k! pit’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly
+ u7 ]* t' m$ Z& A6 Jand he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,
% L) X4 r& a; V* ?; y6 Jwould you like to get together and have lunch? Translation: I’m going to lie to you and say that I
. D% G0 ? Y4 Q7 V+ f3 Y) V$ ?+ m( ?have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have
1 Z: [( ^7 j0 v7 hlunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all
2 f- ~5 e$ h7 u h) U1 xthe VR experts in the world, saying if you had access to this one unbelievable project, what would
7 L! _! S8 u' Tyou ask? And then I compiled all of that and I had to memorize it, which anybody that knows me
: ^& F. v$ N3 P/ O+ Y2 ]. pknows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in
- T8 @: z: L3 ~1 N! Ndweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have# {0 J! P0 k( Y; b' h7 J
thought he was talking to some phenomenal person, because all I was doing was channeling Fred
& v O0 D$ w+ t) [5 J$ @1 CBrooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty
. K& S% h/ \7 r \& feasy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort# c7 B& h, _0 L6 {3 _; c/ z
of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.
" C$ A+ n$ D- t0 s9 I4 X8 KAnd he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him3 N5 w& j. a* O% w) Z1 Z4 v
about the possibility of coming there and working with him. And he said, well that’s really good
+ J$ ~$ @# b- x8 g5 Q: J! i6 Zexcept, you know, you’re in the business of telling people stuff and we’re in the business of keeping' h6 J$ Q6 c& C4 c) {
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I
2 n+ ~! R& ?" v, G& ?7 rreally loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just8 Y& k+ q2 e0 F- Z- \4 ^) }" J- l( J
on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough0 V! ^9 M) r F' v* M' r# E/ H6 t
and people will surprise and impress you. He said, when you’re pissed off at somebody and you’re
j4 Y4 P5 @$ \% v* i& [; [' Hangry at them, you just haven’t given them enough time. Just give them a little more time and
- I+ h6 v' k; Z6 V1 O8 H. t# J! z: bthey’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on
2 E/ `( u9 }* ^that one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
3 `/ y% d( T4 Q8 b+ f/ Z7 \0 `some people referred to it as the first and last paper ever published by Imagineering. That the deal
: M, h+ U. Q7 Z' Awas I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.
% K" J$ q8 z; g2 Z* P+ vAnd then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all; o4 K$ |+ Y2 o
sweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
/ t! c7 ^ a3 V; kout that the person who gets his head on a stick is a dean back at the University of Virginia. His% m9 x3 F+ d, k
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting% C" T5 @: X$ i! {( N0 q% l
with me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to: ]2 }& k) `" S' H* q
let an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a6 E$ ?3 E) T/ C& o2 k( l9 L7 O, W
possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
( I, W/ \- i0 S2 Lsays, well it says they’re going to own your intellectual property. And I said, yeah, we got the1 x- U* g$ b- |, C) H. @
agreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,
/ ]% P9 Z0 j2 j) @* C" ~# b$ @but you might. And so deal’s off. Just go and get them to change that little clause there and then
8 w% ~! p: D; y2 W. W1 k* h9 Gcome back to me. I’m like, excuse me? And then I said to him, I want you to understand how
9 A1 r4 Z1 ?* o! c0 a1 oimportant this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just7 O0 _- H1 A9 Q. h' ^- _) h2 v0 [, K
going to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I m, A3 ~* v( Z+ A) ?7 f/ Y5 V5 c0 i
mean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s1 o( N' v1 t# L
not going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And" C1 j! Q: E: c
it’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.
) B6 e5 M- L }& D* tDo we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,) I' T( H: o& D( n7 K! @9 ?4 }, b q
[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?
8 J0 `7 h8 U# r- a0 Q! m; `Isn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true.
1 G) x* o) {# g& A' HI said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.
2 v1 O8 |) i/ E9 \/ HCoyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most
. A }' b! @ e6 c# \! Gfantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,, r& J" D7 }+ {) J
since I don’t want to have to back out again. So let’s start at the high level. Do you think this is a. Z/ c0 }9 j( j( b) s/ F
good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.6 z+ O. p2 c( ~" ~% T( `& B# E$ Q
All I know is that one of my star faculty members is in my office and he’s really excited, so tell me
+ s4 ~ ~3 p. W, Z% wmore. Here’s a lesson for everybody in administration. They both said the same thing. But think
3 i9 ]# w( ^4 iabout how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I0 u- D c: C" W; ?( n- O/ x
don’t have much information, but one of my start faculty members is here and he’s all excited so I
2 `5 s A* i. K. H& C/ wwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad
h: s, F: k1 away. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s8 p# r+ X5 K1 H2 ^) }
well that ends well.
9 h! U/ T$ p, RSome brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely+ G/ F+ ]/ V) H
spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher
/ j# \$ }, N9 i1 S( son Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing./ p4 y0 l' }+ }6 \
And you would steer your magic carpet and you would put on the head-mounted display. The headmounted
E. @9 s3 B2 `0 E6 s! ldisplay is very interesting because it had two parts, and it was a very clever design. To get: x& _$ n8 n6 V' L; q; H& Z
throughput up, the only part that touched the guest’s head was this little cap and everything else) w! r$ T+ h X9 I, ]' q
clicked onto it – all the expensive hardware. So you could replicate the caps because they were+ J! ]4 j( v8 y. ^5 W3 M
basically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is
# f( P; X* n$ RI was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular* a5 D4 V* K$ n
place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling3 I4 D l0 p: s& G! Y
around on things the size of this room that are just big physical models. It was just an incredible6 A% D& K1 E) N% }
place to walk around and be inspired. I’m always reminded of when I went there and people said,3 v2 Y" f C( ]7 @" _! B% d
do you think your expectations are too high? And I said, you ever see the movie Charlie and the
! ^- y9 [+ a2 T& Z$ ?2 F4 G/ P, uChocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little
8 z6 ]0 T3 V9 x6 j& dboy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever7 D+ D6 d1 ~9 |+ o! @
tell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get
0 v7 T. L3 A5 m8 r) zlike saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever+ b) @% F8 ]. K8 e u$ P
after.” [laughter]) W# v7 K. v, C- u
OK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I& \; o! H5 u0 n9 h$ l+ A& @
stand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got
* C7 P5 f: g& @9 x4 m' eto be a part of it. But it got me into the place of working with real people and real HCI user interface& B- ?1 L D- E- b) ]1 ~# O
issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters
* l- x! I6 Z" xdegrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And
# U% @" s- V( Y& M1 Tmore than anything else, from Jon Snoddy I learned how to put artists and engineers together, and
0 D" P! S9 m9 z/ nthat’s been the real legacy.
+ ^# Z3 E1 }- p6 ~+ z& GWe published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at4 T7 ?0 R" w; x# b$ ~) t
Imagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of
f% v* j _. R! C5 h8 |first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH
l: B# O3 @. d. B+ |8 ?committee, which accepted the paper, it was like this big scandal. Are they allowed to do that?
$ o9 A: ]5 r8 B0 g* x7 o3 {! G X/ p0 M$ O[laughter] There was no rule! So we published the paper and amazingly since then there’s a8 [* C8 \3 O9 O
tradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
( o9 i; P3 k# n/ v h v% Osmall way. [laughter] And then at the end of my six months, they came to me and they said, you5 L8 {6 s( c/ X @8 J v
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised$ |' T: E# r. G
my father. He was like, you’re what? He said, since you were, you know [gesturing to height of a2 t' Y& t- k( X1 s, F. ^& y
child’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of
' j1 Y5 F; ~% p8 E9 ]) E2 \+ [3 dMaalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.6 O5 w! o' A5 K- E
Imagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the- B: N/ B; Y- l
middle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
3 J7 @1 x: L/ YAnd if they had said, stay here or never walk in the building again, I would have done it. I would n' {3 T) C% l
have walked away from tenure, I would have just done it. But they made it easy on me. They said
# C: T( h; Y2 s) F5 Pyou can have your cake and eat it too. And I basically became a day-a-week consultant for
0 @. j& v+ J; Q4 pImagineering, and I did that for about ten years. And that’s one of the reasons you should all% s' F8 O; L7 V6 S
become professors. Because you can have your cake and eat it too.
8 T" G0 T8 O& e% S8 O' uI went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the1 M9 u, T' u3 E$ {
best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the1 J- n; H, t6 `* v' O. ]
Caribbean. Wonderful at DisneyQuest.
+ n9 u# {2 a$ W2 B3 w' rAnd so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the8 g8 Z4 g# d5 ?, @
question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
. h8 s; X- @5 W) f2 M. Abecame a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I
' M6 i4 Q7 P; r* Z! b3 Wdon’t know. That’d probably be a good close second. And this started in a very concrete realization: S8 l3 a2 K# A, S8 ` C. y
that I could do this, because a young man named Tommy Burnett, when I was at the University of' \1 z2 r+ C$ B; F* T0 I5 |
Virginia, came to me, was interested in joining my research group. And we talked about it, and he
" J; M% G; ?- [% ?7 hsaid, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.1 [4 h* l* ]$ \, ? d! j( _
And I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star
5 Q+ ?. a' x S' V8 | DWars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.2 S! y' w5 r8 j
What year would this have been? Your sophomore year.
- R* g$ P2 }( C6 {& rTommy:) z+ E# n+ ?- C& d, w4 D; s
It was around ’93.! \2 f: E3 t6 A" D
Randy Pausch:
0 e5 t1 [, e- p# \# aAre you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,9 J Y; n; p0 r+ W
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY* b3 M- ]4 R5 g5 R; X6 u0 T
ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff: k) A) S; y. T$ l- T
member, and then I moved to Carnegie Mellon, every single member of my team came from Virginia: A6 i# Q; E$ S, N
to Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all
! h& t A; b# N8 S! e5 V2 T6 A! Bthree of those films. And then I said, well that’s nice, but you know, one at a time is kind of2 B) z& l9 `1 s r6 w2 O* ]
inefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in2 b6 `% O' ] [) q) \2 N% x
mass? Can I get people turned in such a way that they can be turned onto their childhood dreams?
( d1 X1 x: K& u+ ?4 d5 }( m3 G/ }And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual2 ^) G+ m! u( x1 w# o! `
Worlds. It’s a very simple course. How many people here have ever been to any of the shows?
, k1 V# Y6 |9 C3 A& t7 u& e[Some people from audience raise hands] OK, so some of you have an idea. For those of you who
3 f: J& p8 t0 k( Q3 q ^don’t, the course is very simple. There are 50 students drawn from all the different departments of
6 J \7 \( J8 W* t% Y$ lthe university. There are randomly chosen teams, four people per team, and they change every y6 M: A* ^: O: u' i8 \6 B
project. A project only lasts two weeks, so you do something, you make something, you show
7 ~, R; i w, t2 vsomething, then I shuffle the teams, you get three new playmates and you do it again. And it’s! ~3 n& B# U/ W+ A' L6 f
every two weeks, and so you get five projects during the semester. The first year we taught this H/ z3 C$ W {8 Y
course, it is impossible to describe how much of a tiger by the tail we had. I was just running the
- x4 B" h0 M1 t3 h0 r+ o+ |4 |course because I wanted to see if we could do it. We had just learned how to do texture mapping
5 m" g0 K$ z: y5 oon 3D graphics, and we could make stuff that looked half decent. But you know, we were running
d# p6 @2 S8 Z. P& Aon really weak computers, by current standards. But I said I’ll give it a try. And at my new university0 b/ G$ T# U1 w$ n+ ~! \& V2 p2 q
[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all
3 |5 @+ V2 }4 {) `; Q+ lthese other people. And within 24 hours it was cross-listed in five departments. I love this
2 U! W' p' k2 ]8 c% g0 o' |! Vuniversity. I mean it’s the most amazing place. And the kids said, well what content do we make? I) ]* T( K. W; i* \4 I$ ?# R9 s
said, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no
7 ?6 B; C. [ w. D/ |pornography. Not because I’m opposed to those in particular, but you know, that’s been done with0 T1 e6 J& `/ l+ M t3 P7 M
VR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas
7 P( U% Q# J8 H- ?) {/ }when you take those off the table. [laughter and clapping]
! M6 C) q7 y- u& `" @! sAnyway, so I taught the course. The first assignment, I gave it to them, they came back in two
; _, ^# g+ {( Y/ X! [+ F. M% c Dweeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
) P. Y9 i/ W8 T' f; r1 s9 f1 ]because I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
3 ~; C( v+ g/ p% d) i: v: jcouldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first. b8 N1 R" i& ~6 U( [) L
assignment, and they did something that was so spectacular that I literally didn’t, ten years as a- p1 r: G) r* E1 V& e
professor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van( \2 e1 g/ V$ M
Dam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I
6 c% c" a/ U- K" h8 r# ]had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]
2 a# x3 Z0 ^$ _1 a1 E EAnd Andy thought for a minute and he said, you go back into class tomorrow and you look them in
; ?; f( d6 g7 Rthe eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that3 y# w9 F' I5 J# F) Q
was exactly the right advice. Because what he said was, you obviously don’t know where the bar
6 K/ ?0 I% C5 W. y6 {should be, and you’re only going to do them a disservice by putting it anywhere. And boy was that
7 i% z4 N- Q7 Z: `good advice because they just kept going. And during that semester it became this underground& v8 K9 T5 o9 Z4 p; A# K9 k7 A5 X
thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it |3 n- R7 n0 I. J* G
was the day we were showing work. And people’s roommates and friends and parents – I’d never
9 }7 i8 `- I N1 Ahad parents come to class before! It was flattering and somewhat scary. And so it snowballed and6 g6 `9 w" _, f/ R
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,
' q/ }1 m9 d5 M. g+ e5 L8 sit’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big8 J/ B. n) `! i3 { y1 w! Z8 ^
show. And we booked this room, McConomy. I have a lot of good memories in this room. And we! I, M. ?. ` M* Q8 C( s) Z$ A8 q
booked it not because we thought we could fill it, but because it had the only AV setup that would
0 f3 i' m5 g4 i! Iwork, because this was a zoo. Computers and everything. And then we filled it. And we more than0 P A( y, m# t. i8 |: j
filled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris
5 x7 _* w; t8 h* f! W5 awas sitting on the stage right about there. We had to kind of scoot him out of the way. And the+ U: p3 Q4 b) }% R
energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry
' O% ^3 q2 s4 f& F5 F5 e$ yCohen was there, and he sensed the same thing. He later described it as like an Ohio State football
0 \: i; H! Y9 M/ Cpep rally. Except for academics. And he came over and he asked exactly the right question. He |7 z4 n5 t9 ~ x
said, before you start, he said, where are these people from? He said, the audience, what
( E! s& t, E; g. l! {" N" @4 Bdepartments are they from? And we polled them and it was all the departments. And I felt very
* ~! a, C) k3 A0 Z2 }" a Ngood because I had just come to campus, he had just come to campus, and my new boss had seen in
# w! o5 s6 r8 w2 qa very corporal way that this is the university that puts everybody together. And that made me feel/ c: }" ^$ w5 m1 ?$ J
just tremendous.3 X& H8 Q3 X; Q- t% E
So we did this campus-wide exhibition. People performed down here. They’re in costume, and we- x# t0 l, u; i! S
project just like this and you can see what’s going on. You can see what they’re seeing in the head7 C$ J Z G. G
mount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]
8 y" [6 T0 v/ P- x& F* WThis is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the) Z# y4 R( `3 L0 c$ U9 p+ n
moon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can4 W! m' ~" Q8 L9 }1 U/ E( n$ x
get the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do# z6 _5 P _2 r9 [7 ^2 }- W
our best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It
- ~" c1 k( V: ~1 Ywas an unusual course. With some of the most brilliant, creative students from all across the! _& i [$ r4 @/ i
campus. It just was a joy to be involved. And they took the whole stage performance aspect of this5 a" ?. X$ J8 h8 e: k
way too seriously [shows pictures of very strange costumes students wore]. And it became this
( k) z1 @7 E4 p5 u0 Mcampus phenomenon every year. People would line up for it. It was very flattering. And it gave kids
' m0 T/ W2 Y7 da sense of excitement of putting on a show for people who were excited about it. And I think that
7 E/ z [0 g5 \/ u1 G% G7 @that’s one of the best things you can give somebody – the chance to show them what it feels like to
4 O: F; d% d- Pmake other people get excited and happy. I mean that’s a tremendous gift. We always try to/ \! h- @- J/ ~2 q' }% X7 f
involve the audience. Whether it was people with glow sticks or batting a beach ball around… or
8 W- U0 v5 l9 d* b* {& z! @driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.1 z4 k9 F, ]) O5 a+ M
This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was- h- k; I+ T) i6 A
controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from0 h8 [, i, E' o' y
every year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an$ a" O9 f5 G! k! D8 i5 H% z4 x
honor it was to teach that course for something like ten years.6 p) [. k9 k9 @9 m
And all good things come to an end. And I stopped teaching that course about a year ago. People% I1 ~1 B+ h, P. i& h: z
always ask me what was my favorite moment. I don’t know if you could have a favorite moment.$ N$ o4 q0 }- `9 T% G" q; {
But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one
) U4 l" ?+ |; G, p+ ]1 U2 i/ D* dof the rules was that we perform these things live and they all had to really work. And the moment
$ x4 [" ^9 T6 f \! i2 kit stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
% |% N4 L* y- n9 Qimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller
! w3 A- w4 d4 h( e9 Y7 hskating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was; k/ \/ J U0 _& m: n
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk% t) P2 f) c6 ^. Z7 `, v
about quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to
, m d r- x. I f' ~/ uvideotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!' C8 Q& u0 e) {: g, ]3 D
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of
) n, A7 k6 U6 U' g( N# v+ }this high technology course was a brilliant ad lib. And then when the videotape is done and the: m9 E. Q: F9 S9 E# i* G$ |' u `
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a! Q( N( ^( ~9 y5 J$ R: z1 ?
fantastic moment.+ A q2 x! n0 ]- P2 `% e
And the course was all about bonding. People used to say, you know, what’s going to make for a2 A: I2 n( j3 @5 c
good world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
2 a9 w7 o | i9 J4 Mworld’s good just by the body language. If they’re standing close to each other, the world is good.
/ X- [% T1 Q6 g$ ?And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I
# n$ \0 H- e9 fwon’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped N6 M3 r0 J/ f' F4 Y j0 S0 ^
down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you
$ D6 m% n( r, b4 G+ |+ Vwill get those arrows in the back, and you just have to put up with it. I mean everything that could
+ M. Z5 N7 c/ J) qgo wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.
3 d9 H3 D# t, G2 l! l* v% @When you’ve had something for ten years that you hold so precious, it’s the toughest thing in the y e% z, f0 v7 `
world to hand it over. And the only advice I can give you is, find somebody better than you to hand3 J$ M; u6 B& O8 _
it to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have7 V$ I" p; W2 X% m6 W
to spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my9 c4 m4 t* k/ m0 m1 z
greatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica3 g% w4 j) r8 [
Hodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this
% F8 U; o* t. lover to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is* a- g9 C; D/ E8 q
in more than good hands – it’s in better hands. But it was just one course. And then we really took) j9 ?. [' @0 w; X( h+ b: b
it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
* ^+ \) L. E6 D3 c: k$ y( cgot together and with the university’s blessing and encouragement, we made this thing out of whole
& b7 d6 J( _% v1 F# Zcloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go$ a( i6 p e& Q7 c9 U2 ^+ e3 ^
near this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology( g) R* W$ k4 g; C6 n
Center was all about artists and technologists working in small teams to make things. It was a twoyear8 g; V' {+ J6 u) c! ?
professional master’s degree. And Don and I were two kindred spirits. We’re very different –" c0 m, X% R8 l1 j- D
anybody who knows us knows that we are very different people. And we liked to do things in a new, _4 a8 l( b+ f g" a* H" d. q' U) ?
way, and the truth of the matter is that we are both a little uncomfortable in academia. I used to. i: j$ E! b2 ]: l9 U5 w; J
say that I am uncomfortable as an academic because I come from a long line of people who actually; n1 [) w4 V% R* Y6 T8 V7 E
worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie- _* B# @4 f* r- Z# u
Mellon is the only place in the world that the ETC could have happened. By far the only place.' _- y, Q$ H6 r( o5 b! x
[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next
# M3 p( a( `" s3 ~! @0 cto Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the
6 U4 [5 n0 ?- m0 ^2 rlabels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer$ _9 T; b! z2 b- Q/ {7 p9 H
to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really
& ?9 E1 [+ r# Y ^' Rdid play up the left brain, right brain and it worked out really well that way. [Shows slide of Don; n- T" a5 i8 n6 h7 o4 W
looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small
3 Q# [4 P, u! t2 [( w0 Zoffice. We shared an office for six years. You know, those of you who know Don know he’s an# k! Q: I$ f8 a' Z
intense guy. And you know, given my current condition, somebody was asking me … this is a
0 B* s: p, t1 d4 q6 g4 u6 F* X5 Gterrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,
: ?( S. S; a8 z& y% P3 Ogiven your current condition, have you thought about whether you’re going to go to heaven or hell?% i' ?6 t1 v& T
And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.
8 i9 x3 \2 E& Z( T; c. Q9 RSharing an office with Don was really like sharing an office with a tornado. There was just so much3 N$ }0 y# ^+ k& w' U+ v
energy and you never knew which trailer was next, right? But you know something exciting was5 b" E- o4 N7 |$ v; N. a
going to happen. And there was so much energy, and I do believe in giving credit where credit is
+ ~. |3 M \) J8 c) R% \4 odue. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets
. Y. ]" g; L# v0 I' uthe lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share8 `; F7 b# {7 I/ d; ^8 D
of the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great E( N5 ]! T$ C8 ~. X% _
yin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him4 u, @$ g3 I" M% Y# h/ r) \
because the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk& w, h; l# ?; m
about that in a second.
$ N5 E: b) d3 u% Q( h) A. a F' f, n( YDescribing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
, }' T) o* j; t6 s7 m" Gdescribing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the
2 `% }, g" ]! \6 @% H! tmistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation
3 T5 X$ K; s6 b7 {4 @about oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
) ^3 Z0 I8 b8 f# `" t6 Z& \point. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve- _ _* M( [" \6 H5 W
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only2 S% C& o4 ]- S/ {$ V
course each semester; audience laughs] The curriculum ended up looking like this. [shows slightly
1 S# W6 E/ }7 X( M/ y% M1 kmore detailed slide]. All I want to do is visually communicate to you that you do five projects in; C( j# C. l6 ~ ^6 e
Building Virtual Worlds, then you do three more. All of your time is spent in small teams making( @! b/ p: r# @7 I4 z$ ~; |1 P4 t$ ]; o
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s( ?1 J: j% N' `6 J
a master’s degree. They already spent four years doing book learning. By now they should have
7 H, N+ W8 ^* nread all the books.- B' j2 Q( ^5 A6 v* F
The keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
6 F$ t5 X$ l4 w8 b2 `# A6 {had no deans to report to. We reported directly to the provost, which is great because the provost1 E- ^6 ~4 M3 n! z& w4 \) c5 X
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
2 J+ c, X& W# i/ ~It was all project based. It was intense, it was fun, and we took field trips! Every spring semester in" `0 y) C5 Z0 q7 N
January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial
2 t9 q8 S- Y; f2 Q5 L+ BLight and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s& D" s8 E- P4 _- F8 ^% S9 U
pretty easy to get entrée to these places. So we did things very, very differently. The kind of
& V5 o( k+ i# xprojects students would do, we did a lot of what we’d call edutainment.
; N" ^# y/ v6 j8 H7 a' vWe developed a bunch of things with the Fire Department of New York, a network simulator for1 O, s3 ]2 z. b
training firefighters, using video game-ish type technology to teach people useful things. That’s not |7 h. F* A- D& B% d
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve
- N' K. U6 K8 A+ P, Tgot the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.* E- X: }: E6 {) s, m9 N% g% \+ F
[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written
1 o2 g8 z7 n, A/ I$ \# C- {$ W5 Dagreements. I don’t know of any other school that has this kind of written agreement with any, |4 P8 Z& j5 b5 F; E
company. And so that’s a real statement. And these are multiple year things, so they’re agreeing to7 a6 `$ B! W* w1 w [' ]. B" t" L
hire people for summer internships that we have not admitted yet. That’s a pretty strong statement
6 \8 n# |, M0 w" ^0 i& o8 X/ [- [) ^about the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful3 I2 |9 T! I; [- Z3 }
complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight
: x; X2 |: B, ?6 ~# Kbecause he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already# k8 e1 g5 S9 ~" U) F
on in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I
8 C3 L7 f0 C! V& F% q/ v6 | jthink this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon
- U: L( { e& y3 `, m9 B! k9 e/ ?is the only university that can do this. We just have to do it all over the world now.: `, U4 L. z; J( e, w
One other big success about the ETC is teaching people about feedback [puts up bar chart where6 N4 G; Q% {* c
students are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the
9 @" E5 r- X) f$ o a* U7 i+ ~nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar% K* D+ i! k( R
charts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put
4 w8 N! l6 @" @" _( p+ cthat all into a big spreadsheet and at the end of the semester, you had three teammates per project,
1 G- K/ P5 t: A$ P! sfive projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a5 n$ I. u& \& t( p& X* r
ranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard
' [' u9 d! B( w4 d- @) E6 Yfeedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
, u) z& o6 M* J/ O3 J! m) ~went, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in
0 z. |0 F6 Y. G$ H; hthese meetings. And that is the best gift an educator can give is to get somebody to become self( h8 Z' j+ \% i4 N
reflective.
% O$ l% w' ?# [9 {3 r+ ^So the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very' v. }% J" @+ w* {
labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.+ b: u9 {' k. W" t+ y
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.8 r- u6 j4 e7 ^
Scalable to the point where millions or tens of millions of people could chase their dreams with7 i0 g0 ?8 S8 g( M, J
something. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on
1 u: {* {/ g) j* Y/ T1 G5 Pa Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a
9 N5 y6 g. l; R) @6 _novel way to teach computer programming. Kids make movies and games. The head fake – again,( z/ @! s% W' C/ P0 b9 K0 N
we’re back to the head fakes. The best way to teach somebody something is to have them think
' W7 Y, U1 d4 N- { H' Tthey’re learning something else. I’ve done it my whole career. And the head fake here is that( ^, P! R% j1 m" D6 x' D! D
they’re learning to program but they just think they’re making movies and video games. This thing, u& k5 p8 J& D) b& {
has already been downloaded well over a million times. There are eight textbooks that have been' `& V" c9 R. r8 Y, |! E' } H7 T
written about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The* X' v2 w& G' R* M6 J% z7 C# A* p
good stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get
) x( K: ]7 b' L6 L. J6 @5 ^to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
/ W4 {2 M# l2 V4 k' U Cfun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next
1 Z+ r. ~: Z5 H wversion’s going to come out in 2008. It’s going to be teaching the Java language if you want them to. @# \/ S% R* x; Z1 L5 {3 t$ @
know they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And
2 i) K& ?: h9 a( R0 t) xwe’re getting the characters from the bestselling PC video game in history, The Sims. And this is3 j# q3 k4 i L! x4 p0 m, c
already working in the lab, so there’s no real technological risk. I don’t have time to thank and
: R* G8 B& g% N2 ^/ u; F3 Bmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be2 y% ]8 e! w6 c
building this, has been building this. He is the designer. This is his baby. And for those of you who
~: J$ |1 n0 o* [8 [3 kare wondering, well, in some number of months who should I be emailing about the Alice project,
3 U) ]' P8 p6 g0 Z0 xwhere’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.7 t5 Q3 B; ] ~' ? C q3 U/ g5 G
Audience:. J) @1 { C: c7 b6 ?6 P. J
Hi, Wanda. h& d+ |% o1 e7 ?! O
Randy Pausch:
% k" L( T# E8 M7 @4 ]# ^) dSend her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her0 u& ? [' ]$ t
Ph.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to2 F o4 j; v9 X7 z8 v
middle schools with it. So, grand vision and to the extent that you can live on in something, I will$ q' \' H5 t. J( e! T. f& b2 U
live on in Alice.
* }' g, V+ }* O3 x5 a8 y4 K6 z. ~All right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve, G) p1 B0 H: N% B2 n4 j& v
talked about helping other people enable their dreams. Somewhere along the way there’s got to be5 M( p( W8 Q& h( v7 ?
some aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors& `+ ~6 m8 z9 L& x0 l% `
and students. I was blessed to have been born to two incredible people. This is my mother on her3 [6 [ a; o8 R
70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]* {3 f3 B Q( }- q; |6 j4 v
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster* \" g! [7 |5 o. p# g- @4 {2 O: r3 O
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented
0 t i R/ i8 ^0 gbecause he did win that big bear the same day. My dad was so full of life, anything with him was an
. L' F8 b% A% madventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,
& h7 I+ m) v% S8 L, ybut I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things
6 L3 T/ ~* e( ~6 d8 _to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every; {, n& E/ t% Y
year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife3 y3 }3 |2 j; b. G( y8 R
and I have also been involved in heavily. And these are the kind of things that I think everybody
. W7 l u0 w; }% @1 a5 lought to be doing. Helping others.3 G1 }8 Q9 [- f- c4 ~. l
But the best story I have about my dad – unfortunately my dad passed away a little over a year ago8 ` l; ]( D" T# V. P1 G
– and when we were going through his things, he had fought in World War II in the Battle of the
) H' {5 w+ Y% I, K: R& d: tBulge, and when we were going through his things, we found out he had been awarded the Bronze9 p/ g- v, c; y. Q. h# j" I
Star for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
6 I: R6 v2 p4 d% i. }My mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people
4 S: s6 N7 M- Iwho love even when you pull their hair. And I have two great mom stories. When I was here' f9 B: B7 ?/ p" b
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can
7 s% s9 |& B) G! V( Z& Udefinitively say is the second worst thing in my life after chemotherapy. [laughter] And I was4 G) R4 Q X) f
complaining to my mother about how hard this test was and how awful it was, and she just leaned
* p3 y# V7 U3 K/ ?* }2 X; Aover and she patted me on the arm and she said, we know how you feel honey, and remember when8 |) d2 F- W1 c7 p0 l/ S
your father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother0 h7 `: T/ i8 |) ]
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
4 o* D0 O0 S8 B$ Z5 J[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I" }, v' J* v# P# t. Y3 g, ^
decided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an5 Z1 [2 L! ]) f
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
4 J7 Q1 S/ }/ @8 m1 e[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And9 `' N) E& @1 f" j6 r
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And
$ W& f- v4 Q! ranybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me' W$ g. d: h# I' X0 F
let them do it. It’ll be OK. Don’t worry about resale value on the house.
) h+ F9 o) {* b: y' j& }Other people who help us besides our parents: our teachers, our mentors, our friends, our' H1 U6 E8 X) {$ `: C" m- h7 h- D4 _, W
colleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
3 M8 z. Z' \) h" x4 O+ ~% r; Rwas on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a
' m) p* ~6 P5 \, N$ J1 D0 b' @7 N. ]centaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but
* a# e1 a! q. n: R3 r$ r) Pkind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching2 \7 a2 \6 a& ]
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
- o* o$ B8 K W) X% A- w/ h; l* Voffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is
8 ^- x* H' ^ t/ W- f" k& r1 Vyour first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
2 U) g5 u7 O$ d7 A8 O* s9 A5 oI’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da
. k4 v! u$ u5 I; u6 Wda. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he3 f7 \; B ~8 A9 @0 A
put his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame
1 A# S, |* t) M2 D" r" s2 xthat people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to
% L5 p8 a* K/ paccomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t4 t0 e! V v" G! C; }' X! I
say you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
- A$ t0 c; k4 Jto limit what you’re going to be able to accomplish.
2 C$ b) T- G7 }! j& pWhen I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you7 l! v B3 H3 L- n3 [
Andy stories for a month, but the one I will tell you is that when it came time to start thinking about9 ~/ W, v0 T. ~8 z. @
what to do about graduating from Brown, it had never occurred to me in a million years to go to
' L9 x, N4 t+ H& rgraduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.0 `& h g" f( i1 F* y' o7 _6 G+ \" |
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.- X) K% z* I7 f3 u
Become a professor. And I said, why? And he said, because you’re such a good salesman that any/ G4 F$ J6 c4 z P
company that gets you is going to use you as a salesman. And you might as well be selling
. ~* U4 T( i4 csomething worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
' K0 H, m; L! ^+ OAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of$ X# ^: G& y' m$ t% ~! }& \
various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell' L% ^: o$ S# F) w9 {, x
happened there. He’s probably watching this on the webcast going, my god he’s targeting and he
" ?: H3 x& l4 @! L, G' s4 X9 jstill can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
7 e: _4 E+ x4 Owere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to. C" l3 ], K5 B( h b. V
endure that experience and I’m very grateful to all the people that I ever had to have worked for./ c- y4 [7 u% w: g+ M+ r0 ` r
They have just been incredible.0 s ]9 \ K, m( r5 Q% Y& }( R
But it’s not just our bosses, we learn from our students. I think the best head fake of all time comes
1 X' t Y6 _1 j3 H I5 zfrom Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at" U1 G% M( D4 O7 ?8 m. f
Washington University, and she looked at Alice when it was an easier way to learn to program, and
' d9 P. `7 K# s) a/ Xshe said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the) V g- ]8 ~6 F/ ^* P# n! R
little toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the* @; z. ~; D. ]+ a& [& f6 w. F
one who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work& s' i! M2 m- H/ D. P& k* ?
showing that, particularly with middle school girls, if you present it as a storytelling activity, they’re* P/ p+ y; {; B6 `+ l
P a u s c h P a g e | 19
( I; @" ^4 T2 j* p6 Pperfectly willing to learn how to write computer software. So all-time best head fake award goes to! g; X; f% v9 N. ~+ O: f, B1 R
Caitlin Kelleher’s dissertation.
( S% S# k* U- N# vPresident Cohen, when I told him I was going to do this talk, he said, please tell them about having- C0 }5 Z& K- M! ` f: S5 D
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish
, N& ~' V0 h0 A0 Gtalking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m4 v/ Q' m& r, e' Z: b& t
having fun. And I’m going to keep having fun every day I have left. Because there’s no other way to
, B p% q( a8 ]& ] g% ~play it.
* p9 C! P m* a1 xSo my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide
% x! w" r5 b7 X- D6 E7 n4 ~with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m
( I [8 k3 Z1 d1 A5 ]clear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.# K2 v$ {/ W3 `$ x3 {' r" q
It’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
8 T4 K$ D0 z+ V2 T" ?; K- ?other people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a; y4 C' u/ H* k$ {
group, how to care about people. M.K. Haley – I have a theory that people who come from large4 R) C" n+ @6 j) M1 b3 @; G/ }
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a/ w/ v, t" e }& y! q' d
family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s
" J. r) _# h' w; I# |& @( Hkind of fun to do the impossible. When I first got to Imagineering, she was one of the people who G9 @6 I @7 y+ c1 }! U8 O
dressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?5 o. A0 ~9 S" ^ I6 n
And I said, well I’m a tenured professor of computer science. And she said, well that’s very nice- Q- l( ]- J- l$ _/ _3 X5 o" a( M
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]+ G5 @) `. e* [0 B
And you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
' F( s4 j/ r% Y2 m# A K' ]+ vcherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s
4 |' f+ `- m: kjacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why
( D9 n" d* N& M# i4 Qdo you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
. o3 @( k3 Z) g& Z( {+ [who were much smarter than me. And I said, because I can. [laughter] And so she thought that was
- d, F% f8 d7 A9 J. s2 M" Ia real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]. X6 [* v+ o$ u) q/ v3 g( h, ~ P: y
[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for
! o; P6 \, z" l6 Hthe egomaniac in your life. So, I’ve met so many wonderful people along the way.0 V; x+ b/ P# b1 N! Y( [. H$ a
Loyalty is a two way street. There was a young man named Dennis Cosgrove at the University of! I: v& g2 t- r) t' N
Virginia, and when he was a young man, let’s just say things happened. And I found myself talking$ B( x/ \7 x: K9 b9 L
to a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never* w& c4 F" n2 z# O
figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for7 R+ [+ z, Y/ b# L4 E
him. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even
) V) R& @0 y$ atenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I
. x1 T+ J. [% F# d+ \( Lthink he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.
! X0 A2 R5 S6 \9 L" _$ LAnd the dean said, and I’m going to remember this when your tenure case comes up. And I said,& [8 T* k: v8 E8 N' C- v6 e
deal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
- o$ c% r9 A0 n0 {But loyalty is a two-way street. That was god knows how many years ago, but that’s the same
6 v2 W( R6 ~7 I6 o* XDennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only- e$ U# J& J7 m! |8 V, ?
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
1 w1 p8 `4 G; h4 S1 bcan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would3 h2 `" Q9 v, z2 s2 l: z6 f
be Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living6 @1 K; B. E( a9 e8 r
anymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by
' p7 e9 K4 F# H2 C' U* C8 w X* F% z( d5 hher, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
! L$ _# f; C# v* F. rbecause Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
# [& f1 [+ z- {0 Dyoung ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
; n0 d( u1 `" V9 {8 o- {comes to men that are romantically interested in you, it’s really simple. Just ignore everything they
0 \9 c+ K, |$ ?( Usay and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to
: i/ I# ?. u% J! J6 M5 a1 t. p. [3 Gmy bachelor days and I said, damn. [laughter]8 H' [' c! j& x0 p% ?. z
Never give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
6 |% X# }! d K$ D! neventually decided that it was getting really annoying to have me call everyday so they let me in. At
5 d5 w' w/ i4 O- b8 gCarnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate
x8 r1 A. W2 i0 @school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you: M, n4 L) Z9 B- w8 i
know what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he# O2 C9 J; z( n! p. k9 ^
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had
" a3 R) M0 i; R" k/ }really gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.+ Q1 l3 h( w) U# B7 H$ m
Which, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.0 ^/ O0 _4 k( w; d! U
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
8 a$ n! q# b* ~. M: T! \; JAnd I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter- B2 G/ u3 A4 C: P" n: c
on his desk. And I said, I just want you to know what your letter of recommendation goes for at
7 m- W: E4 u2 Y8 D, vCarnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and1 E1 Z" L) [/ h' ?, _9 Y
he said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
) j0 c# n( q) z7 v3 A: sway I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.( ^4 E+ q4 \7 E8 ]# K: C6 q+ F
[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,8 F9 D" ]- l" T g! \- ~3 O
I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,
; F) h( ]; W% R0 k. t- N& Igo visit the other schools and if you really don’t feel comfortable at any of them, then will you let me8 b* e' H2 t9 {4 X0 R' l
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and- t# u+ O' Y+ m
I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]
" ]# Z# ~9 P* i. X, `& H/ vBerkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
( |. d# P9 M8 hknow, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked
5 A, K+ s+ t& @: y2 v& D5 O Ain Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his% Z$ p- m+ H- h5 Z
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So
6 l4 ^8 [' F- E+ @9 x* A2 `' v( g( P7 CI’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I8 C$ }$ x% o9 H9 H0 t) i
don’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,
# X l+ e& I& cwhy are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since0 D: L" l7 R1 |; y5 B
you admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
. s* ^$ X* R0 o6 U' _; E2 z" qfellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a
+ J: I& h) \* l* V# ^: dfellowship, money, we have plenty of money. That was back then. He said, we have plenty of
; v0 Y" s- V/ ?& mmoney. Why do you think having a fellowship makes any difference to us? And he looked at me.
3 V8 U) d( t9 b0 wThere are moments that change your life. And ten years later if you know in retrospect it was one of" ^/ K7 K3 K+ y2 T2 X2 p: Q9 a
those moments, you’re blessed. But to know it at the moment …. with Nico staring through your; g& _% t" S X
P a u s c h P a g e | 21' g5 N3 V& f( e% U* F, `
soul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
' a% E* P6 l! K* R$ rhonor. There were only 15 given nationwide. And I did think it was an honor that would be
8 [6 V: T" i/ j( isomething that would be meritorious. And I apologize if that was presumptuous. And he smiled.
$ C* k* t/ H* H" O" _5 WAnd that was good.* Q; A, I8 @8 z3 l
So. How do you get people to help you? You can’t get there alone. People have to help you and I8 x' B( ~" m. `3 ^3 m6 Y
do believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
8 B3 q6 Z* r$ f% K5 r% Wearnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
$ @0 R, J" Q6 Y5 @is long term.
; |9 m- d& K/ T7 QApologize when you screw up and focus on other people, not on yourself. And I thought, how do I4 ~& k; z# x1 A0 ~0 g. C
possibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete
. X; q+ K4 E, B2 s1 Kexample of focusing on somebody else over there? Could we bring it out? [Speaking to audience]
' n n: L6 p7 a' O8 USee, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus. m r& m5 q6 ?+ ~( E
on me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
2 s, r6 f8 P r3 S! m; W/ nbirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled
~ e6 e( L* ? K) R! D8 sonto the stage] [applause] Happy—& a$ h% f6 I/ y/ v' O3 w: O2 c
Everyone:
! B5 E5 W! n# \& W…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy v+ h6 ^3 |9 R5 b1 u
birthday to you! [applause]5 j, ~& W: Z# H( A% w
[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The5 P$ w" J* u% p; M
audience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]* N7 N. z; O+ i
Randy Pausch:8 Y) F6 g( |9 f, y1 i# E: P. D m3 p) X
And now you all have an extra reason to come to the reception. [laughter] Remember brick walls let/ ]" t" Q( e M6 \ a
us show our dedication. They are there to separate us from the people who don’t really want to
5 F' O p& |# F( pachieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.( U% d6 C! u6 X; m- D% } m) y
[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was/ M/ ^4 X* V7 h4 e! N
the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we1 n' {0 l0 Y( T0 s8 v# u+ P
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
# h; f4 X& [- Fgive eight million dollars to USC to build a program just like yours. We’re hoping you can help them3 x- |2 C6 x1 H0 K, r" d5 V& R( L7 e
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And
7 y8 ?5 r6 `3 l bto quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we3 I9 q& i3 \# @5 R8 X
have a great relationship, personal and professional. And he has certainly been point man on M3 b7 L+ N: Y
getting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
' E2 z' R& M4 P" bcertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
* j( d2 _. E6 @6 uhave been the right thing to do, and when you do the right thing, good stuff has a way of happening.- _) \6 P- s k6 D* |
Get a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or
( e# ?6 U& f& ?it can just be one great man who tells you what you need to hear. The hard part is the listening to it.
1 } Y2 p Y N& TP a u s c h P a g e | 22
9 D+ |# G; p. A, pAnybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed/ x4 c+ |6 F- R, j" N
to, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and3 W' T. r% l) L& o+ L8 Y
use it.) |% t* V2 r" Z; `5 q: N4 X
Show gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.
1 G9 t, J1 |# ^5 n5 NAnd one of the other professors at Virginia said, how can you do that? I said these people just
' J( i) _ a' _ kbusted their ass and got me the best job in the world for life. How could I not do that?
0 l* I. G# w; F `* E+ yDon’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league
. X1 e7 Q- J3 q; D2 Q6 Ybaseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even
1 u L5 H/ F- c; Pwhen the fans spit on him.
7 F' I0 {' i! K7 Q; ]' w# BBe good at something, it makes you valuable.
& {2 ^) `& K' T" \Work hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,! `1 c0 r* v* v
wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
0 {$ C ]' O& u2 `$ Hmy office at ten o’clock and I’ll tell you.
0 T+ s y9 _# f- I9 jFind the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might3 R6 i) r S* G% Q- k% j( [
have to wait a long time, sometimes years, but people will show you their good side. Just keep e& f2 O5 ]! _' ?
waiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
& k: a7 B! F5 N( F! G+ n& Zit will come out.! y e% R( w% o
And be prepared. Luck is truly where preparation meets opportunity.
4 j% k3 L) ^0 ]+ r2 ZSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons
9 G( |2 i6 W4 \' {( Wlearned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your6 x) F& r/ Y' F _4 u$ U
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
) Q+ J* O, L1 U- Mof itself. The dreams will come to you." L. k( ?6 A. V- d1 S7 Q; `
Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,( w1 c9 _+ f- \- V# E
good night.; B5 I) U+ i5 v- h, I
[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit
/ q% ~" x& x3 d |; o3 W" ?down in their seats; standing ovation continues for another minute]( q& u$ t" y7 u6 N7 \. X
Randy Bryant:
* `5 X7 T W5 j, p/ z' UThank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.- c4 T% @4 @5 B& Z
He had this theory even up to yesterday that there wouldn’t be anyone in the room.
; ]0 x5 ]# e! Y5 |. c2 TRandy Pausch [from seat]:
7 q$ C& j% @; Z& F' e$ d! nAfter CS50…
7 F+ }! J- c) W2 z9 cRandy Bryant:
3 t& r$ G3 q& Y' z' ^3 II know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy, a# x0 ^6 N, Q6 Q S/ [
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
- `+ N& T K: s- [# z; @* \1 bfrom Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of
& g3 F0 u, ^7 Z% obuilding virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the
/ P6 f, [* K3 u2 H# Q0 Eother Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased5 y% _2 {8 Y9 b8 T! o' i5 s
today to be able to sort of run a brief series of ways in which we want to recognize Randy for his, V# m! |( K# Y4 I1 {
contributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we
- u ^* p# I& S# |4 T. @have a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.
. S- M+ h1 V$ kI’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from
; [' S" ]5 C( T: O% E$ HElectronic Arts. [applause]! i, }! e7 ?0 f ?8 ~
Steve Seabolt:
6 l1 p, C9 b" Z" F- AMy family wondered whether or not I would make it through the introduction. [voice starts to crack
/ |* S2 A1 ~3 ~! ]up] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,4 | f- f8 V; I: q; d3 A4 }
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
, x/ ~+ a+ w4 t' @; wto encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t0 M% h/ Z5 @* s1 T
be a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,3 B& d0 b- i/ y3 \* o5 H* q
and at the same time companies are forced to off-shore, there are fewer and fewer, b% t- _- R3 [7 S5 w6 Z( i3 k Q
students entering computer science. And the number of women entering computer science just _" o" L" q, o- V& X5 F/ u, s
keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so. { b1 [) u2 t D
many more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the
! j' V9 c- p8 ]4 RRandy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership, w6 p; p+ W k6 _1 i% q& @/ S
and contribution to education, computer science, digital entertainment, and his commitment to7 `; S; t; W* \. k4 Y
women in technology. This scholarship will be awarded annually to a female undergraduate CMU) {0 D, S& h+ ~5 q: @4 K! l
student who demonstrates excellence in computer science and a passion in the pursuit of a career in/ h" w1 t0 S0 U* S- I5 m
video games. Randy, we’re so honored to do this in your name. [applause]- N. W0 A" m5 a5 A0 C! ^
Randy Bryant:
5 d2 U$ O+ G# N3 h9 n( D xNext I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing
: h4 ]$ I! N/ p2 V0 R, L1 kthe ACM Special Interest Group in Computer Human Interaction. Jim. [applause]
2 i2 d3 t0 L# W: Y; LJim Foley:
% y" @2 G H( `3 A7 p6 }$ u[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the
2 n: x8 W/ b$ Z) TAssociation for Computing Machinery is a group of about 100,000 computing professionals. One of
0 E0 w# H. W9 t9 [their special areas of interest is computer human interaction. A few weeks ago, someone who’s a7 V& f `* u2 Q; z- U* P' g
very good friend of Randy’s wrote a citation which was endorsed by a number of people and went to
! a, a4 [% P3 l! j1 }' L; J' Rthe executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
8 R3 ~6 Z2 E. I1 k- _. h3 Z8 @8 pspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny3 W$ t! k- F$ M
Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the9 _5 `: c1 t- t: s) i
executive committee. So let me read to you the citation. Special award for professional
5 T2 t5 w: `9 X7 B: |contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both. T$ q% ?) B1 U3 @
mature researchers and a generation of students. His deep technical competence, choice of
2 q8 O0 N7 l$ G4 n simaginative projects and visionary thinking are always combined with energy and passion. We’ve
9 _8 C' b6 n1 q: {: G3 m1 Jseen that. From his early work on the simple user interface toolkit to his current work on 3D Alice$ I; `" @4 f- g- q5 q% y
programming language, he has shown that innovative tool design enables broad participation in, C* E A2 x7 `5 z0 m! N
programming, especially by women and minorities. Randy Pausch has vigorous commitment to; Q/ ]3 y1 N5 z0 }, P; x7 z+ P
engaging students at every level by compelling and intellectually rigorous projects, and his appealing
$ u; @2 ^5 k3 e0 V! k( L1 m* s6 \lecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]3 F0 g* j( e0 |5 q" \* N4 f
His work has helped make team project experiences and educational computing research more
+ i5 ]9 H* C* P6 m% Gcommon and respected. As a National Science Foundation Presidential Young Investigator, a Lilly+ y% a' {; q, a
Teaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney
! r# s5 h1 x: } }, n" S/ vImagineering and EA, Randy’s done pioneering work in combining computing interface design and
- s* {) W, I" i* G# Y8 H' aemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive' f9 Q, j' m$ |
council is proud to present to Randy Pausch a special award for professional contributions.
+ g# S; M# r: \+ F9 g% r[applause] [Randy comes back on stage to receive award]
: v0 K! d/ Z" m* D0 P5 F4 VRandy Bryant:) u, i ^+ p/ M6 k& ?3 R$ U3 m
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.
3 `6 P2 Y/ Q$ B5 u: s[applause]
5 i( ]/ ?! D7 ?9 U9 EJerry Cohen:3 P# M5 b/ b5 U7 E
Thank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You
( R1 p: W" u. O$ b# e1 H/ q% c+ M' `know you’re traveling heavy, buddy. Many of us have been thinking about and talking about how
" J, w/ J: ^+ d' G* a5 M- r& Ewe can recognize you on this campus in a way that is lasting and fitting in terms of what you meant
2 o9 O* w/ ]" f# g9 N- ^to this university. A lot of people are involved in this. You thought the provost wasn’t paying
9 c: P$ W/ ~4 K, X# K" ?- Vattention all those years. [laughter] Actually, one of the ways we’re going to remember you is this" d- o$ j" r2 D4 y
$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we
- P5 s1 G0 [1 Xreally appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture& l% S& M k! [7 E% r9 x
the kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a
- D" T6 d8 @ s7 o1 J2 n- Xteacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,. G9 t$ [" C6 h. a' p' |
however. And there is a way to remember you every day, as people walk this campus. So we’ve
C: T) d) T4 R* a# I( mcome up with an idea. You’ve done great things for this campus and for computer science and for3 a5 l# v# g- e1 o! x4 K
the world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve. u7 v* T0 }) ~. P; d+ C6 Z& K/ k2 ]
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had
+ |/ o+ b4 S" Denormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the
. M- f$ c1 ?* g M `# W) ifollowing. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next2 e( ?# @: W6 p- T/ h
slide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A/ }) B2 N4 `$ {0 p
hundred million dollar building which will allow us to do the following. You’ll note, by the way, to
7 Z# _: |+ F! C# m0 Yorient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern! {# {& z& i; B; H( d$ p: h
looking new thing, half of which has a green roof, is the new Gates Center for Computer Science.
9 N% C' Q; F; j N7 ^8 LAnd we had long planned to connect these two physically, both to allow people to get down from* Q) a1 I" u; A
the cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well
: K* s4 V/ W' m' b& d% Aon behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m) A2 p' y; Q1 k* t1 B
pleased to announce today that the bridge connecting these two will be known as the Randy Pausch+ {. _3 w ]8 q' H1 q
Memorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk" y: K9 }2 a2 f1 D1 D
today we’re thinking now about putting up a brick wall up at either end, and let students see what5 X3 V6 _9 T% d# E- ]. L! s* L$ x
they can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here
w. M4 V( w: [ P' p% W4 hwho will not know you, but they will cross that bridge, they will see your name, and they’ll ask those% N0 s8 _) z% l# c1 X/ X
of us who did know you. And we will tell them that unfortunately they were not able to experience1 {- a! g$ v# D% f4 a' n& T
the man, but they are surely experiencing the impact of the man. Randy, thank you for all that# y) e3 O0 @! h D# d; J
you’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and
( O6 Z9 {9 F( g2 bgives Jerry a hug]5 w" x' U9 z2 o' @/ ~
Randy Bryant:
% c& k- p# ]0 |$ [So every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]
& j. V4 C; _1 F' fAndy Van Dam:: r+ `( f/ n+ m% ]; ~2 q) |6 L. k
Oh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t
& r+ E7 ^. s, Y |* P1 yknow whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure% x% {* a! l) G# J. L/ Z
and great joy not just to teach thousands of undergraduates and some graduates, but also to work
6 m& k$ ]) T# }; y2 None-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud
3 M* q6 {: L8 z# l, h" X, Nto say. Out of those best and brightest it was very clear that Randy would stand out. He showed% @. e; N4 e4 S9 {, r m) K
great promise early on and a passion about our field and about helping others that you’ve seen5 s9 u' r5 d, W1 Z4 z5 d4 a9 s
amply demonstrated today. It was matched by fierce determination and by persistence in the face1 V( r" g9 g$ M U0 S2 P' L) s; {! k
of all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights
1 h- N& B$ }; J) {. Hthis terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you. Q( d4 ~4 w* ] B3 { C2 B) F% A
remember that. And what happened to the elephant’s child, he got spanked by all of his relations,# h8 j4 ?/ @9 C5 W9 Y D6 K
and you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,, B1 @$ i i! A7 f# w" C4 x0 v2 P
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to
* ^! Q( H4 l$ W5 ?# Rthe point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from. |" p& @- _2 _. m5 ~% H
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve
( H- ?7 ]& d0 xseen that demonstrated over and over again. Now, having been accused of many such traits myself,
0 B) e2 U( R$ XI rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I
. c" [( ?4 {& j$ F5 l; L0 zwas a fanatic about getting students to speak and write correct English from the get-go. And Randy
% b3 Z6 E4 z3 \' s/ o5 P2 F/ y& othe mouth had no problem with that. But he did have one problem. And I’m having a problem with
) ?) o/ T9 l ^; W$ B6 emy machine here, here we go. [gets slide to project on screen]. And that was another part of my
$ S- f( g: H: L2 J, L0 a2 ]fanaticism which dealt with having American students learn about foreign cultures. And specifically
' B* B' i& x4 z+ y& \" labout food cultures, and more specifically yet, about Chinese food culture. So I would take my
9 i7 p* Y7 V5 u2 e2 ostudents to this wonderful Chinese restaurant where they cooked off the menu using a Chinese
; ~# }* m/ Q8 T% V- z' Z2 mmenu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?
/ y, k6 j! ~5 {+ @5 F- r[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
( f5 W8 b' J; a) U' b0 rthe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with
; H$ G, m) |, j. |1 p k, }chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And: M' i) ^' M$ B: J
so it came time for graduation and I handed him his diploma. And this was the picture one of my1 B( K& k, Q3 H' g& x% G
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and
% w" s0 p( X- V2 p4 ^gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his0 q) C, i6 g; L8 S
diploma to show it to his parents, and there was an autographed copy of the menu in Chinese and# L) M6 A. @: ~
no diploma. [laughter, applause] It was one of the few times I got the better of him, I have to I, n# r! A# W1 V% Z, o
confess. Well here we are today, all of us, and hundreds and hundreds of people all over the
7 E% W% H. X# n+ qcountry, I dare say all over the world, participating in this great event to celebrate you and your life.
$ Z, x9 r; K7 \/ ~, K8 M4 oRandy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
4 u2 M% m! X# ?0 macademic, especially as a mentor to your students. Your Disneyland expeditions not only were. S( H+ r: a9 `. l
unique but they are legendary. You have more than fulfilled the terms of Brown University Charter,1 ]$ A0 a& e) |9 d( ^
which are: to discharge the offices of life with usefulness and reputation. Your utter devotion to f; ^3 \5 l' s0 {, n- S
your family and your career are exemplary, and continue unabated as you cope with the immensity i0 ~. V/ R5 N5 k. D
of your situation. You exemplify undaunted courage and grace under pressure. The most terrible
3 T6 b8 A1 U& I" ^; X" Spressure one can imagine. Randy, you have been and you will continue to be a role model for us./ c& B/ l4 M" E" E. Y. A- s) [
[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell* h0 k4 `' q0 D: k& a5 J
you privately and in such a public way how much we admire, honor, and indeed love you. [applause]% c, q6 j0 J- w# C p( J
[standing ovation]% |- K$ A# N1 j1 B# A( S; \
0 j, @5 m; I8 p3 k
[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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