D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
0 u& M0 H; ^9 R. lmegapixels, the D800 produces unprecedented image quality and resolution
5 F$ |# D% T: V2 z7 [+ q9 mwithin a body that boasts revolutionary technological advances. The 3D color
5 }7 J) I! C6 i2 |! _5 Zmatrix metering III, wide dynamic range and the improved AF performance
' B1 |6 I1 w+ Sin low light are just a few features that are glaring improvements. The D800
/ f8 M  }% g: C. [" B' {* Oallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
/ q% ~& M" G/ v. iwas traditionally captured with medium-format equipment for maximum
" {' r7 V& ?5 f, G$ v, y$ ^) pimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
/ t4 Y% ]' E( ~* d' Z7 L9 I( aconvenience. Now, my wedding portraiture will have a depth it’s never shown
" ]; Y  M: [- Y3 l0 F4 xbefore, and my style of shooting will be enhanced rather than compromised,
' Z. C# a, A! ]1 Nthanks to the D800.
0 a: q& w& y' b. Z% `+ gWhen I’m shooting beauty and jewelry in the studio or fashion on location,
, v* Q6 q, l6 w2 Z: n4 g36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
' l' C/ g2 t4 {well as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
2 ~" a* a* d; o2 D4 k; C1 ~) [has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
! q: k, _  f4 F0 V* Nalso feeling lighter and smaller than previous high-resolution Nikons. New
# i2 s. B; J: lcameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
! i5 P: |, F4 ]2 A' j# S+ }1 _' o1 Vprints and video.
  W* E& m( L; {2 v/ QTo me, cameras are more like paintbrushes than technology. The goal is
- s& r' u, x/ C9 F4 t, n) b8 Snot megapixels or technique but the image, and while camera models
3 f& [) E: }& K' N. |" ?are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
/ b4 a) z, I3 f8 Dlike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
% \1 g" I% D4 ?1 _: |+ @tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
) ~1 c* ^- h1 {) B0 f0 r( [  M0 m2 UAs a modern architectural photographer I am always looking for a lightweight,
0 t7 ?* f% V: Hcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
( X" }* k) K, N2 J# f, e) Ithe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
; O$ B% ^; y1 Z9 Cnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
+ C8 U/ x$ E% y. W" _, }architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
* P. D" ]2 f  ^6 c0 Y# ^0 [clean, clear and sharp files. This camera gives me the photographic flexibility
- g3 T1 f+ V( S. d. Nto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
6 y7 C( i3 i* m9 l# lto a new level. What a new companion!
) M3 t! Y4 G+ a; @! KThe D800 On Assignment
Rob Van Petten
2 n* O4 i, S1 L  c# `, A% g+ rFashion (U.S.A.)
8 G8 P# J. H! _! Y; [9 ECliff Mautner
: N( H' Q" u% E* D' p, Q0 LWedding (U.S.A.)
% q/ [3 c" x6 UJim Brandenburg
Nature (U.S.A.)
, u* i& P, R) L! GBenjamin Antony Monn
3 [% k1 q# }1 X% |! f" O6 K' T* TFine art/Architecture (Germany)
8 i& o# x. S4 K3 L' J# n! \% M$ |Printed in Holland Code No. 6CE11030 (1202/A)K

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