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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
' H9 ^3 w" N6 [3 T3 H0 ]1 {/ NShoot in RAW and underexpose your image by 1/2 stop to a full stop.' A, t" Q. n: G' ]. s
Use the shadow and highlights tool in a RAW software program to7 {& ]' c6 I. M9 G( e4 {
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White8 o' q* T$ G4 }+ r; ]$ d
methods provided by RAW and you'll have a correctly exposed black
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White Balance2 A$ Y/ Y0 e9 c7 b# r
If in need of a quick white balance tool, you can use a standard. L4 b- M2 u' q0 z) j0 K
white coffee filter. Use the custom camera white balance while aiming% ~' o, ]2 k* F2 Z, A; C+ f
the coffee filter and lens to the opposite of the light source to get white8 \1 f; V0 P! F: [) s
balance. I always keep coffee filters in my camera bag for
% \/ Z8 R- N7 h4 [9 bsuch occasions.
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Pseudo ISO Boost' d5 P) L# }* u; @
If you’re shooting in the dark at a concert venue and need more
, w, C6 S9 c+ N+ ~) I) e- c9 D4 CISO boost from your camera and faster shutter speeds - choose
" q, B3 ?5 v# ^: ~- W. A; m* Kthe highest ISO setting on your camera and underexpose your image: c: l! E2 `) f$ _: j0 L( f4 _2 H
by one stop. Then you can use a RAW processor to overexpose the
& A) [+ L/ R/ C. O ~$ Uimage by one or two stops. Image noise may be higher but this
3 D7 B) V( V6 m2 fworks very well for concert, venue and event shooting. |
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