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This was in a Vistek ad…some cool tips you may want to use.
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' H. p g2 Y* }$ c. Y( q- t$ KDigital Black and White7 _/ V% Z& ^8 O. b& O( [
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.) C$ O8 f- `2 m, k$ x& {0 Q
Use the shadow and highlights tool in a RAW software program to
; Z! O7 z3 x( hrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White* I" z9 ?5 q) p: ~% G( B+ x$ A2 G
methods provided by RAW and you'll have a correctly exposed black
4 c t( R- B" `" r F) mand white image.
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White Balance
/ x. T! i6 b4 l% o# v8 o* jIf in need of a quick white balance tool, you can use a standard
3 a4 \# V( y. ?" a5 uwhite coffee filter. Use the custom camera white balance while aiming; s7 g3 k8 x( A. k" y
the coffee filter and lens to the opposite of the light source to get white
1 K4 s/ j) j* c6 g9 ~balance. I always keep coffee filters in my camera bag for
: j$ C$ h% z" X0 `such occasions.- W2 ~# y6 N+ I7 ]) S$ o
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Pseudo ISO Boost
% u# G3 T, G8 e- w. c8 S* R2 xIf you’re shooting in the dark at a concert venue and need more
) E6 S* |* ?0 U3 i: Q- d; k W+ `ISO boost from your camera and faster shutter speeds - choose + [: r5 f' h, p/ V
the highest ISO setting on your camera and underexpose your image
6 S) A8 F( @. ^% y- |7 |by one stop. Then you can use a RAW processor to overexpose the/ B" G- y6 _0 j3 ^7 T3 z# ^7 k
image by one or two stops. Image noise may be higher but this0 }' l' H' Q1 K* J+ o& d
works very well for concert, venue and event shooting. |
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