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This was in a Vistek ad…some cool tips you may want to use.% g$ g' K* J- j( x, n* B
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Digital Black and White
: {! I3 u; L" d. N; PShoot in RAW and underexpose your image by 1/2 stop to a full stop.
% H0 n! z$ W+ h1 X) V: L9 dUse the shadow and highlights tool in a RAW software program to T* Y! I% v& z! x; m& a: i
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 Y/ C$ ~1 f& Y. u: n1 c9 [, \methods provided by RAW and you'll have a correctly exposed black4 E0 ^6 R h& @! U4 H9 F
and white image.
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White Balance5 V6 z5 O$ E0 j( c2 y; O
If in need of a quick white balance tool, you can use a standard1 G1 t: c4 k+ l0 Z% Z1 ?
white coffee filter. Use the custom camera white balance while aiming
! i& V8 D- T0 G- M/ W& n/ {the coffee filter and lens to the opposite of the light source to get white% C8 T( ?6 g8 O
balance. I always keep coffee filters in my camera bag for
) @' C+ j* \- qsuch occasions.
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$ _) O9 w; V" S2 r I, RPseudo ISO Boost1 z4 J7 e0 v% o0 t' s& x9 X
If you’re shooting in the dark at a concert venue and need more+ m1 _6 B/ P7 Y9 W1 w3 P
ISO boost from your camera and faster shutter speeds - choose
! v& C( J9 \; g) f" y, p6 P6 [' Wthe highest ISO setting on your camera and underexpose your image
$ i& `# J: N; Lby one stop. Then you can use a RAW processor to overexpose the
, B: T' p) V C) L8 Z5 L0 Y5 B. Wimage by one or two stops. Image noise may be higher but this5 L- }& f! c) d8 G4 y- T0 x
works very well for concert, venue and event shooting. |
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