 鲜花( 152)  鸡蛋( 1)
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Randy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams7 A) ~- E* T: a, h2 z, a
Given at Carnegie Mellon University
: Z4 `! ^" `( P$ |( {, `Tuesday, September 18, 2007
; ~' O7 l! X4 u* ?McConomy Auditorium
+ B5 r7 {6 ~, i. XFor more information, see www.randypausch.com; i3 I7 ]" ]/ H( @" \
© Copyright Randy Pausch, 200710 j) j/ L V; W
9 ^ W( ~7 A: f2 f: p; o" I0 U) N
Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:0 @) a% o$ J" k5 m/ b4 \
Hi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled4 ~& T! t( N v! ~
Journeys – lectures in which members of our community will share with us reflections and insights
8 f% A5 b k/ B' S0 N6 O/ M8 ton their personal and professional journeys. Today’s Journey’s lecture as you all know is by
4 ]! _7 G: B8 l$ s$ M% h7 Q2 }Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.' U2 U* d5 S0 C0 n' N- x4 n
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s
# |# L0 h4 B0 vfriend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice
) v2 z' {2 `0 B7 o' R, {President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The2 V/ w: R: E0 k& I9 Y+ ^. I
Sims is one of the most, if not the most successful PC games in the world, with sales approaching
; l2 r9 `5 J+ @" u) Y8 ~3 o6 K2 sover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and2 g$ Q1 i9 g" ] h0 F7 ~) \3 u
Education at EA, bridging academia and Electronic Arts. His goal was to work with academics so
: J" k8 |5 i/ U2 Z# o5 tthere was an effective educational pathway for kids with building games as their dreams. It was in
$ e S) Y* Q$ p/ T3 kthat role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
* Z% `% ^7 \) U8 \& x& X6 Hworldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite: R8 _5 N7 M' r9 ]) V! T
magazine in the Southwest, and as CEO there, one of the things he started was school tours,
- S' x M9 u6 Ybecause like Randy he shares a passion for inspiring kids of all ages to share their excitement for
" w$ `. g- v! o u$ r+ `& escience and technology.- d$ J) j2 w) L& y1 I
So to introduce Randy, his friend Steve Seabolt. Steve?
; v# c5 Z( T; R% x[applause]; m! ?1 i( t6 J4 |; |
Steve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):& J" b& P( M) {
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
3 Z* N. B# A P, D$ |, l( wpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it) j# ?: U) ] m9 U$ ]7 R# e5 g1 c9 ]
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.
! N2 i8 C i0 O: D1 B- z% t[laughter]
( w$ y6 `- I5 A6 DI don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from
, R5 d3 N9 o4 Y$ z& T/ jRandy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
5 v8 [, k# C2 X" E% R+ R4 l2 c' N20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.
2 J d$ R/ f' a, |5 sIt’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic7 b6 n9 v8 d1 U
credentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I" d4 d: L0 o+ q4 i6 @6 X% T
couldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m
6 T* b' p" J; Y+ P2 y/ anot kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT$ G0 s0 u, T# w$ u
scores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
- i& W3 i7 p+ }+ P4 ~/ {! }; S7 J– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four
0 b; r" @1 D5 j/ @weeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I
5 b3 [; q6 o* B7 S3 o3 i6 Fsaid look – we have two choices. We can play this really straight and very emotional , or we can go
- a) u h& _1 I' `to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called4 P l1 `9 ^. T
him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
J( X9 P. B6 Q% ewell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To
( C* h+ { Z0 h" {, N* S: ~which he responded, we need to find you some smarter friends. [laughter] So you’re all smart
" B) r% G4 T: ~# {0 Abecause you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
% }$ _9 L t# j2 dRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from
- D* _! E- T. g/ T: Y) FCarnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year
9 N1 y# q4 O6 G% @; A( Rearly. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design/ ~' J! f Y) l: j* I! U. P
departments. He has authored or co-authored five books and over 60 reviewed journal and. `- a+ m' d( D' u# j
conference proceeding articles, none of which I would understand. With Don Marinelli, he founded& ~% _2 H B9 L. x6 o+ Z
the Entertainment Technology Center, which quickly became the gold standard organization for
3 B) T. G0 J+ ~+ Q; Gtraining artists and engineers to work together. It is my view and the view of our company,8 M% F/ }( k$ }! B2 _+ d1 c! X2 V3 u0 T
Electronic Arts, that the ETC is the interactive program by which all others in the world are judged.6 P7 L. Y! I9 x7 l; T# x
I met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
# R0 y6 e. i3 r9 I' ~( }three years given the depth of our friendship. The ETC already had a very strong relationship with
5 c9 t# j* C" ^7 Z. ?4 A: K% iEA and with Randy. And Randy as he always does, for those of you who know him well, wanted to+ t( f1 s2 ^4 H8 u- A) u! W
learn more, with his own eyes, about how the games business works, and how games really got* n" p3 n+ q+ F8 h/ v$ b
made. So he spent a summer in residence at EA, and I was his primary contact point. We were in
9 Q1 R- f. E9 ]: imy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me. j( I- @4 U( T) b& F
who went to the University of Iowa on a wing and a prayer. We spent a lot of time together that9 F( s4 x% w/ Z( j& V
semester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white% c K9 ?2 H0 F Q4 E5 @
bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more2 d$ k! v' b" h' e. u: ^3 u
“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each
0 P* l) l5 Z: S8 K8 `6 Pother about each other’s very interesting, strange cultures to the other. Academic versus the# k9 \2 N; L8 s0 g0 {& w0 c
corporate world. And we developed a deep friendship woven together with stories about our kids,
4 i2 C- f! J+ F! Z0 ~& _our wives, our parents, as well as deep discussions about the paramount nature of integrity in% ?% g7 q4 k5 C% v/ x) x% o
everything you do, family first, religion, our shared joy in connecting people and ideas, and; j- ]7 z7 U5 u
deploying money and influence to do good. And the importance of having a lot of laughs along the5 x2 V5 R4 x) H; V" }3 V
way.
& F2 c4 ~( H) ~$ f+ _9 ?$ d5 X' ORandy’s dedication to making the world a better place is self evident to anyone who has crossed
6 O! I# A- Q1 v, ]; J9 L Npaths with him. Whether it’s directly influencing students, creating organizations like the ETC,3 {/ P" j+ J. k# m
building tools like Alice or doing what he probably does best, which is bridging cultures. As Ben1 u- v8 p; i! Q9 ^8 w; |% P6 L
Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,% |4 O% E% {) f( T* {
philanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he Z; o% \" ]1 L" n, A" o3 a* i
brings to students and coworkers on a daily basis.
1 T3 _4 t* m' t) k/ EFor those of you who know Randy, Randy brings a particular zest for life and humor, even while
: \+ s& I$ B( [7 E& r* w+ }/ t: Pfacing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,7 q$ c2 F* C/ k
Logan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]
* \" P- I; F& c* fRandy Pausch:
! a' K% G5 r8 T( S( X: i/ s/ S- a9 H) [[responding to a standing ovation] Make me earn it. [laughter]
1 j* d+ e4 j* G; j1 W( HIt’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the: |) G8 H K- O- I1 P
Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,
" I! l. N& |/ P+ c9 RI finally nailed the venue and they renamed it. [laughter]
4 F$ N; w/ j, KSo, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad2 k1 d# t' F4 K& ^2 O B( F5 \, t7 L
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
- x6 f, @1 r' f( v( g- S4 Jscans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good
! S& V" A0 R) z3 z0 ~health left. That was a month ago, so you can do the math. I have some of the best doctors in the& X0 V' e& a: \9 T! b s4 B
world. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All0 e3 S/ i; `+ H9 f9 s; |
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to2 ?" H5 a+ M5 G* X
respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t/ ?3 a* a# j: {( K' Z7 i
seem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
, L# D/ G; B6 A8 I/ M. ^$ k- B& y& Oam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,
2 B. e) r1 H! |4 I- u1 N, I$ awe just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a/ r$ u2 s5 x$ {: Q5 B* V( L& ~) M
better place for the family to be, down the road. And the other thing is I am in phenomenally good
1 S0 o; `/ u6 n7 |$ ^- Hhealth right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact
9 m8 b u: o- O/ q U2 vthat I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the
" N* z3 B" h! c) i' b1 vground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and
# d' k; R5 v! Q' Udo a few of those, and then you may pity me. [laughter]
* K8 N6 g d h, d7 w5 xAll right, so what we’re not talking about today, we are not talking about cancer, because I spent a' ] E+ Q5 p9 H7 C- h
lot of time talking about that and I’m really not interested. If you have any herbal supplements or1 F2 `+ s2 f# u
remedies, please stay away from me. [laughter] And we’re not going to talk about things that are
; B6 v! K; q# U( S$ f1 qeven more important than achieving your childhood dreams. We’re not going to talk about my wife,
& |6 }* Q( v& B" U" U& t* p; nwe’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that
. h3 c" p1 a, i, Kwithout tearing up. So, we’re just going to take that off the table. That’s much more important.
+ v* i$ M( i: W/ ^1 k% YAnd we’re not going to talk about spirituality and religion, although I will tell you that I have
) R0 n( k9 E6 ^achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and0 V1 F& S# p* g& ]% C
clapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about
1 g: E' ?2 Z. I- {, vthen? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that9 H9 N. {' l. \
way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons+ R$ ^8 E2 V5 R2 z4 ?& |
learned. I’m a professor, there should be some lessons learned and how you can use the stuff you
/ |: u( D. D# E4 Ohear today to achieve your dreams or enable the dreams of others. And as you get older, you may' v1 p. K" t3 E, J
find that “enabling the dreams of others” thing is even more fun.' Y% ?$ M0 V0 P/ ]1 b; P
So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
3 ?9 F! Q) C2 I; L$ zkidding around. I was going back through the family archives, and what was really amazing was, I
+ s* q( ?7 k8 n- z% b9 ~7 Rcouldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying) Z3 D6 A' X" W6 u H3 G
thing. There was our dog, right? Aww, thank you. And there I actually have a picture of me7 H) [% A" K$ G, h: g1 V
dreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
; B V1 u1 D2 g8 Y. kare 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.' G9 B( j! n* c+ D9 v3 N5 G
And that’s something we should not lose sight of, is that the inspiration and the permission to+ K: | U( B& l ~4 K2 m& @$ j( L
dream is huge.
+ y+ f) ]! G# k. d$ GSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]* D$ N- v/ u! ~- w
Being in zero gravity, playing in the National Football League, authoring an article in the World Book
; D& X+ A) R/ _9 x- a; EEncyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have
* ]7 u& \9 F' c3 o1 p+ Z8 gthat childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big, o6 `% j. t. P
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not1 |+ m# ?, ]$ n4 N& G# Y
sorted in any particular order, although I think they do get harder, except for maybe the first one.2 ]: H! o' k- Y# e. F" d
OK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an; f/ n. G" j7 p. \8 {$ ?5 {- l
astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have) C: ?0 Y) g6 n" A) a
glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.
) J1 N o5 q1 z, E6 ^# l5 SSo, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation( U' Q& R5 R: Z
on a table top] But that didn’t work so well, and it turns out that NASA has something& p+ y# q5 A$ l) v
called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,3 b& Q% ]' g& n' a
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a* w6 y) F% l% n H% D
rough equivalent of weightlessness for about 25 seconds. And there is a program where college
9 Z! h" c1 @; [# L9 T0 E: gstudents can submit proposals and if they win the competition, they get to fly. And I thought that6 j# B' c- F N4 w$ H
was really cool, and we had a team and we put a team together and they won and they got to fly.
2 J- ^7 S" z: o+ dAnd I was all excited because I was going to go with them. And then I hit the first brick wall, because
+ o2 s ^$ S/ f8 o7 V/ Gthey made it very clear that under no circumstances were faculty members allowed to fly with the
3 n0 {3 c! f: ^1 }5 Gteams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
$ C6 w; j) M) v5 F9 C/ `+ fcarefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns
9 P: y( V; u% A2 K: L1 Tout that the students were allowed to bring a local media journalist from their home town.$ n$ G9 Z$ ]; v0 Q
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a0 E8 t- T4 o6 b9 ]$ L- Q
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some" r2 [7 P- e# Q2 N6 w
documents. And they said, what documents are you going to fax us? And I said my resignation as
9 }2 J. X" w# l- t# fthe faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t, n- a& r* o8 b f7 @7 ~
you think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole7 M2 V5 R" K0 H9 p9 D7 I. T
bunch of VR headsets and all the students from all the teams are going to experience it and all those
) C# h" }1 X4 |( Z- Jother real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
/ W0 I! w8 o Q6 soh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the
2 D* e4 Y. i7 b6 nbargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring+ l7 |9 E) z' d
to the table, right, because that will make you more welcome. And if you’re curious about what
1 H$ P2 X" N5 Y1 k; Yzero gravity looks like, hopefully the sound will be working here. [slide shows videotape from& T p% R Y u9 L
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,
: H; U* B! n; }- ]as the people in the video crash to the floor of the plane on the video] So, childhood dream number
N! |5 t9 Z0 Q2 o1 l; r7 w+ fone, check.! e) W& B7 i2 e8 V6 l
OK, let’s talk about football. My dream was to play in the National Football League. And most of7 |& ]6 `4 u( O3 n/ _% r
you don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,! u6 c' @' Z6 m& E% C+ k
but I probably got more from that dream and not accomplishing it than I got from any of the ones
+ y+ b# E0 r+ E$ V* e0 @that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in
% X6 ~7 K" \1 ~, Ithe league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker1 K- G( u8 z6 I# V: w$ |4 |, a+ y
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.
: {& ]; V$ ~) R: A6 i; ]Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first1 B. T+ a5 c* _
day, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t$ I/ R* d. f8 Q' B; q
brought any footballs. How are we going to have practice without any footballs? And one of the
: n5 h2 o, D+ w- Z9 V( C+ |other kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many
Z# ^: u" F, F5 o' O8 K6 K( \' [3 u7 u& ymen are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,: r# z. h8 O8 c7 Y- U7 Y
and how many people are touching the football at any given time? One of them. And he said, right,
2 O5 F- I/ B5 l @5 fso we’re going to work on what those other twenty-one guys are doing. And that’s a really good7 @4 a) ?0 T8 k* r( b
story because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got3 a I) P9 A2 P* l: Q3 u- `
to get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other, v* F/ D- `! G* m$ Y
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing+ q, P4 S( ` `" v, u0 b
this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups1 k `9 {7 W; k, A
after practice. And when it was all over, one of the other assistant coaches came over and said,
- V7 W! R( a8 F0 K) {$ vyeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He
3 l7 j$ L" \3 u& q+ \/ n, Tsaid, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave8 }+ ?9 c- Y$ T
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing
. j& m& N" J7 e6 zsomething badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your9 j; r ^% Y' P0 L- U
critics are your ones telling you they still love you and care.
1 R, _ H4 m) sAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of' Y* x( @: R" F% \" j
enthusiasm. He did this one thing where only for one play at a time he would put people in at like$ b2 ^2 _$ }# d
the most horrifically wrong position for them. Like all the short guys would become receivers, right?
' D4 {8 b; q/ A# `It was just laughable. But we only went in for one play, right? And boy, the other team just never6 E$ z6 j7 o/ A& P8 I* B' H
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where) c% u$ t- h6 S$ C* C
you’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going! \$ q0 j# N) A0 ]1 d
to clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this
}# w0 Z+ E* k1 ~. Zday, I am most comfortable on a football field. I mean, it’s just one of those things where, you
4 O$ x. k! r0 g, q; g. tknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls# G u' F) f7 W+ U; k& ^) [
with one of these things, and that’s just because, you know, when you do something young enough
) K% J0 b6 g$ ~and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my
. Y: Q( [# f4 w6 h( plife. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more. t1 h q' Y- G, |& }2 _: U/ \
valuable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great: A7 Y, w' t3 V
right now.
- L3 S, t+ ^* ?/ @5 VOK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is, v3 d; J( a* s7 S' B
experience is what you get when you didn’t get what you wanted. And I think that’s absolutely/ Z, x) }. [# y) G
lovely. And the other thing about football is we send our kids out to play football or soccer or& \) \$ C: L2 N( J8 \3 H1 S
swimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or0 c5 `6 ~9 h8 i! A( _) o% K
indirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that2 H) M6 |7 S( i H6 F
I have a wonderful three-point stance and that I know how to do a chop block and all this kind of
% r" g U+ q! ]0 o# mstuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,
) v6 m: l* a t, hperseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
5 [4 y$ ^4 W$ ZAnd you should keep your eye out for them because they’re everywhere.
( [& o. o% I H- _, h4 X* e$ _8 oAll right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
9 P* Q: K0 S' B% P: Dthe World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these: B& Q( y; [) N- J# p0 H T) [8 [
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,
4 C2 d( {9 R C# t$ W) @but not like a really important one, so I was at the level of people the World Book would badger.2 ^% h1 t9 N# @ ^& B% T2 @
They called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing
# i7 y" j- K% u7 L0 c0 Y: avirtual reality headset manipulating a 3D world], and there’s an article if you go to your local library
; |( o/ V, I/ z k; lwhere they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And' |5 O9 U+ N: U B. H
all I have to say is that having been selected to be an author in the World Book Encyclopedia, I now6 n4 j1 g( V# s* N2 t% e0 S
believe that Wikipedia is a perfectly fine source for your information because I know what the5 Y( ^2 R% C' E6 ]
quality control is for real encyclopedias. They let me in.1 }$ ~9 j7 [. j0 u2 N$ C
All right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
4 P- l5 f2 `5 n5 f! Z8 yjust realize there are some things you are not going to do, so maybe you just want to stand close to) b$ n5 r2 K6 H# r, q$ D$ y! h
the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of7 N: w' H4 o7 W9 h7 W) s
Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you
! N0 U" W1 x& ^ Cwant to be, and what I learned that carried me forward in leadership later is that, you know, he$ x% x1 x8 i/ {8 S i
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and1 E8 `9 n# e7 ]* o1 g' ~: A
Scotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing' U3 y* I, H" [" }( j
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
- K* h0 O: D v- G1 Cnot you like the series, there’s no doubt that there was a lot to be learned about how to lead people+ N' F1 S" t4 ~+ g/ {5 Z- n
by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of1 v* L+ _5 T ~/ e9 f% {! w/ y7 c
Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing
. Z ~$ y; L, Z" }1 u) z[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just
* d3 W+ d5 D- U- W$ Nspectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of# l5 @( D1 f& P J+ N# w
cool.9 Z, l( o" H# b. @/ X/ [7 [$ Y
So I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which
`9 I2 y* D o0 p) ?* c! M2 }I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author& D/ E' j% f# n5 ]
who is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
- G$ }7 c9 s! s: F8 E. L: kcome true. And they went around to the top places around the country and looked at various things
/ O3 X/ }9 @3 M% Fand they came here to study our virtual reality setup. And so we build a virtual reality for him, it
6 O) b/ S, m+ ~8 V7 M, }7 E3 Elooks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it/ z# _9 |* K% r
in, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming., O( b+ _2 R* t! {8 y' r
[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you) |* W+ C" d+ l; O
to see what cool stuff you’re doing in your lab. And that was just a great moment.2 ?/ ]" x. A! h
All right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and
+ P4 N4 Q8 d4 byou see the big buff guys walking around the amusement park and they’ve got all these big stuffed5 ~0 m2 ~6 g0 p; |3 `7 j, Z
animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.0 {3 b+ p' r @1 t9 X8 v0 k+ |
[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
1 F" ~9 n) F3 T- j0 _3 |0 n0 l4 Y! `I’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just
: L6 g6 [! T/ x5 ea big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally3 I" c6 Z. c/ H; J# }3 J
manipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid/ }8 T m& ?/ y+ F& I: B
somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this
9 k C0 a9 a. Y( f- G L& qage of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them+ t8 m/ V1 E; m0 C. G1 X+ o
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them9 e, X4 F. b# v+ ^
back against the wall.
4 W+ U. g; e! m! M9 p/ ?% T" uJai Pausch (Randy’s wife):
7 h, b: `+ R' F$ h. vIt’s hard to hear you. [adjusts Randy’s microphone]
- z- M, |9 O/ Z- r: A+ X9 z, QRandy Pausch:
. c1 o/ S( U5 pThanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving
0 f0 j4 Z( a/ x5 [, P; l+ p$ \truck, and anybody who would like a little piece of me at the end of this, feel free to come up and
) @: a5 n/ S5 s: x0 C, X8 dtake a bear, first come, first served.- L/ ~+ F7 H! Z+ `; n% I! _# X# _
All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero9 q3 g; O- v$ C0 w+ x( c
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family% a4 Y8 x! p4 K7 P+ o
took a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s1 f( F5 t( F. ^& @. A/ p
Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And W; O2 w% Q. S. S
these are real vintage photographs, and there I am in front of the castle. And there I am, and for5 e$ _; {9 U7 N0 C) D
those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was' k6 W1 e0 t/ U' P( s* L) k
just the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,, ~ j: j" X' e, O* L
I said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.
4 i4 n9 J2 J8 D2 c( u/ c% pfrom Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
3 d% ?0 I7 o% U% h. ymy letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest; t1 n$ p& Z+ t/ @+ [( m l/ Z
go-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your
0 q2 ~- Z0 G+ [9 I; U0 c: {4 kapplication and presently we do not have any positions available which require your particular6 o! G8 M# f4 M" F% _3 r) S
qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys
$ G+ p; p' t9 t( _5 {0 u* n$ l9 fwho sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are
) d) y: L2 ]; V |4 ~& t5 k: ?) {( athere for a reason. The brick walls are not there to keep us out. The brick walls are there to give us
% H& m$ R7 c2 W( M9 A4 K& ]a chance to show how badly we want something. Because the brick walls are there to stop the: E. c3 H! g$ P
people who don’t want it badly enough. They’re there to stop the other people.
* F# ?: w7 ^; y' `! Q* r9 f3 OAll right, fast forward to 1991. We did a system back at the University of Virginia called Virtual6 k$ P; D! Y: Y k
Reality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared" M* L. F2 E2 N- w0 z
back in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew, E: i0 N! N3 q- e" z4 f+ \
my undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to
$ y6 ] g' o) z- M0 `% v6 Q6 edeath. And this icon in the user interface community walks up to me and just out of nowhere just
) Q5 a( E: `; Z& }& `( ?% p% Ngives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,
, L0 Q: x# ^; S$ Y) a$ ?- bmaybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
8 _0 L' U8 W1 H4 vhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And/ ~) Z$ m' v w- b
everybody felt frustrated. And we literally hacked together a system for about five thousand dollars
+ Z6 H% t# l3 [( } \in parts and made a working VR system. And people were just like, oh my god, you know, the
# o1 J: w6 @; A7 v. R0 f) i; YHewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just
/ Q: d! l) L; l4 r' S4 T; ngone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in
; p5 B% W9 T3 A( Y$ Kvirtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know! b. G+ u' ]- Q& x5 J
what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m) w- t9 A a5 |# H* L
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your* x0 z. }6 A: K5 D9 j" V& `
question, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little. i+ A& b) O B5 p2 X* P
moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
1 i$ S% M3 f( x$ p4 T$ d6 [' CAnd so Imagineering a couple of years later was working on a virtual reality project. This was top
$ U U2 Q3 N4 F( t7 R/ Lsecret. They were denying the existence of a virtual reality attraction after the time that the
) m( V. c3 K1 Spublicity department was running the TV commercials. So Imagineering really had nailed this one% A& P4 e9 C. i4 t1 F( `, C5 K
tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted* U- e& f0 H! S3 e" s4 G& A3 s
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you
1 a& q2 E) Z" M Nknow they start running the TV commercials, and I had been asked to brief the Secretary of Defense/ v$ y, X" G5 D: P, q7 A' `
on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of
1 ]4 R' z! @$ ?; s# H% D( XDefense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m
+ G2 a6 B/ N5 r; t2 ebriefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
( q0 b4 A* s& t; m3 \- o) {best VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism
. B }1 d3 P2 D# Q# i' g/ {/ p a7 k$ }stuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR: N. b7 {- l9 ~4 i9 H
department doesn’t have any footage for you, so I’m going to have to connect you straight through* h K$ j5 Y# p9 M& f- L% N, N
to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy4 |1 r, h9 J( @, @) P
who is one of the most impressive guys I have ever met, and he was the guy running this team, and
6 m$ a% S, w9 a( Vit’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly$ ?5 G0 b. |3 y, T+ h& C
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,
: |& ?+ F7 p0 y- m, h) J* A0 M" I: ywould you like to get together and have lunch? Translation: I’m going to lie to you and say that I% {; J2 E5 Z0 M1 C: N7 Q0 b8 @6 X
have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have, e$ H1 T) M6 \# M4 v& ^; e3 u
lunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all, x# L7 k* e5 |, @
the VR experts in the world, saying if you had access to this one unbelievable project, what would
# y8 M9 X' L$ Z& t! \4 O; cyou ask? And then I compiled all of that and I had to memorize it, which anybody that knows me# W, u2 n1 u) J X; F5 S' O3 K
knows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in( X1 _ a0 p* Q; R; d0 \# {
dweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have# d* a5 N$ X6 X4 Z W" v" ^
thought he was talking to some phenomenal person, because all I was doing was channeling Fred
! ` L% {" o3 z: }2 i# P5 JBrooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty
. z0 M) R. g. Heasy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort
: u) d5 V' T2 c" P; m) ]of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up., n N, k& t2 V. A! `
And he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him
' L1 I j0 j+ h. k, N# y7 }/ Qabout the possibility of coming there and working with him. And he said, well that’s really good
2 a% P" G" I/ V- M& m6 O: Texcept, you know, you’re in the business of telling people stuff and we’re in the business of keeping o$ {) E: H+ S& q2 q
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I
6 o- H# v2 E9 Y" f- areally loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just% n) E* M O6 h1 ?
on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough) D: W- r. _* _& v6 x. H
and people will surprise and impress you. He said, when you’re pissed off at somebody and you’re% Z q& }* y7 m; U
angry at them, you just haven’t given them enough time. Just give them a little more time and
4 \ F, c" L0 Z+ z2 ^* Bthey’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on# @! B0 `/ J$ N. J9 K
that one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
/ }$ @9 C* A4 i" \! V. } Vsome people referred to it as the first and last paper ever published by Imagineering. That the deal
8 T' L7 M2 Q" C1 r% Pwas I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.
2 v# p( X2 E8 Z9 Y$ o* ]And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all/ `5 Y {; n# [: l' F# t7 e
sweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
i9 P* p% [" v! rout that the person who gets his head on a stick is a dean back at the University of Virginia. His$ u& R8 n# r( R# W" G% A6 l) c
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
% Y" n a5 e {+ \3 t+ q$ |with me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to7 ~$ |$ h5 ~% I" s/ j
let an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a+ F. W% K. ~, c4 t0 C% o
possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
r; L. q7 {2 p: s2 ^says, well it says they’re going to own your intellectual property. And I said, yeah, we got the
- }& `. D2 i! |- l9 Qagreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,: I3 ]( r# k& i& F6 S3 U- `2 x: v
but you might. And so deal’s off. Just go and get them to change that little clause there and then8 _! f+ s' f' p' I" Q2 k u8 S; F
come back to me. I’m like, excuse me? And then I said to him, I want you to understand how
$ n+ t3 A( f# l7 V8 x! Dimportant this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just, j3 O7 P6 x# R3 d' L
going to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I
' d; V6 J7 n% e8 j' v: Emean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s
* E; v. h S, j8 o5 G! s! |* f/ P& enot going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And
* K3 ^7 i# c x, J) Tit’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this./ t+ u) t3 u4 E2 c
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
% S% r! y( z% ^1 u. c' Z2 n# A[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?
0 Y. M) {: L! S' KIsn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true.
9 s! x3 i$ z/ P: A3 C4 L2 V4 q2 i$ mI said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.0 ^" n X( B" V+ J0 X4 r* X- O' t% C
Coyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most% P7 p1 |6 S4 A/ A( C
fantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,
0 w& a7 w3 i6 C2 w7 e) _since I don’t want to have to back out again. So let’s start at the high level. Do you think this is a. D- I+ H- b; _# x6 \, R
good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.
9 _/ T( i J- j( s% ]7 [All I know is that one of my star faculty members is in my office and he’s really excited, so tell me
, L' N, t4 \: n( Xmore. Here’s a lesson for everybody in administration. They both said the same thing. But think
" s- x2 o' }( E, O, {; `about how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I- `$ c* C. Q, T; |" K: w* ~1 J& D/ W
don’t have much information, but one of my start faculty members is here and he’s all excited so I$ D0 J2 j% S0 C; V
want to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad
) u! A' l+ F+ hway. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s) @8 K8 S) o" d. q' E" L0 J
well that ends well.
9 ~. W2 t2 x6 h; m. P+ |5 Z+ C! _( WSome brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely( R# Y, a5 P+ l! z$ o" |8 e3 ]( k
spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher8 S- A4 e. J, z, M' Q
on Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.
; A$ V# D" d% W( {( m2 t, B& I0 F" gAnd you would steer your magic carpet and you would put on the head-mounted display. The headmounted) q( T% w+ X9 c, V
display is very interesting because it had two parts, and it was a very clever design. To get3 A2 l4 r# V% l0 t: @
throughput up, the only part that touched the guest’s head was this little cap and everything else8 A: \; m1 f4 M0 D6 F
clicked onto it – all the expensive hardware. So you could replicate the caps because they were
! I$ w' {2 C3 ^- O6 E9 c! W. Vbasically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is. G$ M) @9 C2 ?" g
I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular, i& Q6 u6 U( |! r9 X* `
place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
) P0 e5 z3 C* i* \% O4 A" Xaround on things the size of this room that are just big physical models. It was just an incredible3 R. p2 H4 r# f* E! u( f6 h
place to walk around and be inspired. I’m always reminded of when I went there and people said,3 A& C4 P$ F2 v J
do you think your expectations are too high? And I said, you ever see the movie Charlie and the
4 i, x+ I$ H% Y9 c9 [Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little
" l# b: X0 s7 L M: n, g0 `boy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever
8 O" A) s& [+ }/ Stell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get
" g: A4 G6 W8 S7 O: Blike saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever" K: \: w, A- z9 E3 a
after.” [laughter]
' i: p9 O! M0 V, F' G+ QOK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I
# x% P. w# |( b% ostand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got+ g; e1 B& G+ G4 B1 d! z4 n+ k% r5 s
to be a part of it. But it got me into the place of working with real people and real HCI user interface
0 ^3 S# K6 F9 C- y4 b; y5 qissues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters
; a7 N* x2 a, b+ Adegrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And! s: Q4 R( x2 o" d( X1 V' a$ K
more than anything else, from Jon Snoddy I learned how to put artists and engineers together, and
& J4 t5 ~ S6 W \4 J9 E2 ithat’s been the real legacy.
* D J6 u% Z, v& c/ H* f) pWe published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at- R) {3 Y* r; S* b
Imagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of
/ w8 C. N" K4 }: }# @first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH
, t- f* P5 K6 o- L+ Y1 w6 j- Icommittee, which accepted the paper, it was like this big scandal. Are they allowed to do that?4 O3 r3 y! ?! V8 C, A: ?3 F4 I2 V, `
[laughter] There was no rule! So we published the paper and amazingly since then there’s a" g5 p5 O# c6 `
tradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
% o+ r( m* q8 t) h6 e$ C5 _+ Fsmall way. [laughter] And then at the end of my six months, they came to me and they said, you5 D6 a) P I% _# _ z, I6 T
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised
+ k& O5 W0 j" T* b' dmy father. He was like, you’re what? He said, since you were, you know [gesturing to height of a/ E, P2 k4 V7 }) ?1 ^9 m+ y
child’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of
- d6 g4 c# z3 ?; P( h/ UMaalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place. q# J+ n( Y7 u6 ? H) g Z* |
Imagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the' p# N3 ~% e: X l1 {5 X
middle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
, f- b$ K2 _# o0 xAnd if they had said, stay here or never walk in the building again, I would have done it. I would. W& W% Y0 z% @8 D
have walked away from tenure, I would have just done it. But they made it easy on me. They said
$ v& ?3 I" a' l' jyou can have your cake and eat it too. And I basically became a day-a-week consultant for j0 @" x5 g* t8 s! S0 @. H ~
Imagineering, and I did that for about ten years. And that’s one of the reasons you should all2 ]" q7 w9 \! B8 l& r% M* F+ L
become professors. Because you can have your cake and eat it too.+ T" \3 I! G+ w9 G
I went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the
. {$ C* d. L, C/ {# obest interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the
, x, q! L) r7 w N' H3 d, wCaribbean. Wonderful at DisneyQuest.
/ ?7 \2 _# }6 q1 d+ f) @And so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the
0 T& J$ X# z) ^- S% Equestion becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
$ ~+ j1 `+ v$ `& \- m. T/ f7 \' y; Hbecame a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I/ z1 D. W6 @1 r1 y s" U' I+ r
don’t know. That’d probably be a good close second. And this started in a very concrete realization
q2 a7 i; p+ N0 T" @) W: uthat I could do this, because a young man named Tommy Burnett, when I was at the University of/ o1 l. [( G- {' U5 ]
Virginia, came to me, was interested in joining my research group. And we talked about it, and he5 J! R' @) B& U) f/ V
said, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.
' k: \3 _& g, j! T- rAnd I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star2 q8 {. ]0 Z3 `& ?4 r9 N! A1 y. V
Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.0 S0 \/ x7 P6 L/ F- G1 N# _
What year would this have been? Your sophomore year.
0 A" b9 t( `; A' WTommy:
, f& n1 u; r4 n0 r& aIt was around ’93.7 h" @6 d( T# P( b, U* P
Randy Pausch:
7 G1 c+ O, T7 H! @/ JAre you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,5 p1 z6 n+ Y8 ?% \# D) y
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY
2 Q8 D* | ~. iARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff
! S5 k. {3 ]/ E q9 ?+ Vmember, and then I moved to Carnegie Mellon, every single member of my team came from Virginia3 W/ A% Y6 d) y: g4 j/ h" x, c
to Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all
4 w, j; C) p( K5 }three of those films. And then I said, well that’s nice, but you know, one at a time is kind of
3 Q) k6 e" z7 M1 k# j; C# H8 J% Hinefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in- O/ q+ \" U4 |$ f! @
mass? Can I get people turned in such a way that they can be turned onto their childhood dreams?( ^% I: S$ J& ^. A% v3 H2 ?8 x
And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual8 }2 X( t: U& l! `- I1 _$ \
Worlds. It’s a very simple course. How many people here have ever been to any of the shows?
* }( V) p$ \' v: S1 x[Some people from audience raise hands] OK, so some of you have an idea. For those of you who# H- _+ O q+ R( o6 n6 T5 h- O: Q
don’t, the course is very simple. There are 50 students drawn from all the different departments of# J# A8 Z1 }% \
the university. There are randomly chosen teams, four people per team, and they change every9 x, s9 @- M- S6 J' H' i
project. A project only lasts two weeks, so you do something, you make something, you show
4 e5 W' p) {4 I) ^, @( V! }something, then I shuffle the teams, you get three new playmates and you do it again. And it’s! @- p4 ]6 x4 X- {8 ^ u5 y
every two weeks, and so you get five projects during the semester. The first year we taught this
+ O9 J/ a. G# F* i. _! M( J6 W lcourse, it is impossible to describe how much of a tiger by the tail we had. I was just running the
, H& Y' s3 q2 m# Icourse because I wanted to see if we could do it. We had just learned how to do texture mapping! i, h5 @1 f% C1 S
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running
% H0 ?# q8 p& ~/ o% [/ p& l/ y; con really weak computers, by current standards. But I said I’ll give it a try. And at my new university
8 H4 A7 M9 v& n1 y. g) J[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all) A! y; G" F$ ?$ ?4 o
these other people. And within 24 hours it was cross-listed in five departments. I love this
9 _2 y, B [7 d c5 Vuniversity. I mean it’s the most amazing place. And the kids said, well what content do we make? I
9 t1 K# O7 t2 M, h v7 y; Isaid, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no
1 i$ L" I; v2 Tpornography. Not because I’m opposed to those in particular, but you know, that’s been done with3 h& g& f S1 u1 e$ Y* g8 Q
VR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas
" D' k2 [( G& k+ ]7 fwhen you take those off the table. [laughter and clapping]( j# H/ ^; H' J
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two; H+ d3 h' h5 [- N9 E; T; e
weeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
& I, ~9 ?# k2 V, kbecause I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
+ e9 U, T/ w- p6 d1 Ycouldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first
7 d7 ?" ]' Y6 Q9 ?assignment, and they did something that was so spectacular that I literally didn’t, ten years as a
3 f" Y- g( l" f/ R" Y2 U* E* U- sprofessor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van D6 \! G C' x6 P7 Q
Dam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I
' q6 V* n9 N6 U4 T i: ehad given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]( ?' y% u3 M2 `/ z
And Andy thought for a minute and he said, you go back into class tomorrow and you look them in" e; i; w M: Q7 ]7 |' _
the eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that6 v4 ~8 y9 u7 T. U4 L: c: F" S
was exactly the right advice. Because what he said was, you obviously don’t know where the bar
% C0 k: x F$ @should be, and you’re only going to do them a disservice by putting it anywhere. And boy was that
8 y7 @4 T3 N9 A% {/ m# sgood advice because they just kept going. And during that semester it became this underground, y1 I `0 j: o3 T! Y
thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it; s) E% x3 `2 x6 o' v
was the day we were showing work. And people’s roommates and friends and parents – I’d never
- ]5 O6 f1 T! A; b3 r: Vhad parents come to class before! It was flattering and somewhat scary. And so it snowballed and, }- x+ Q! W g! D1 G
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,
& I# S6 y; G) Y1 \* ait’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big
" [4 X' H6 N0 j) _* ?4 A4 ^# cshow. And we booked this room, McConomy. I have a lot of good memories in this room. And we5 I% c0 P, F" g: @8 N+ C
booked it not because we thought we could fill it, but because it had the only AV setup that would& T2 F4 }" C7 i& ~8 ^! J
work, because this was a zoo. Computers and everything. And then we filled it. And we more than* t# e' R1 F: \+ z; G, ]2 k& A' K
filled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris8 i9 H* y- q$ @3 _. u7 z
was sitting on the stage right about there. We had to kind of scoot him out of the way. And the
$ F# p& @ f& ]. A2 F7 ]9 Fenergy in the room was like nothing I had ever experienced before. And President Cohen, Jerry
M) y! g8 T+ w$ Q! ^7 yCohen was there, and he sensed the same thing. He later described it as like an Ohio State football
' q: I' P3 a. V6 m$ |2 h6 Opep rally. Except for academics. And he came over and he asked exactly the right question. He
% g- r3 e$ D' vsaid, before you start, he said, where are these people from? He said, the audience, what
# r" r$ k* C9 ~2 B# T' p8 f1 qdepartments are they from? And we polled them and it was all the departments. And I felt very6 w B5 y2 d; U
good because I had just come to campus, he had just come to campus, and my new boss had seen in3 L" x' S) k& ?$ J" M
a very corporal way that this is the university that puts everybody together. And that made me feel
5 F/ v0 G. r4 V+ V5 i* t: W; Pjust tremendous.& k( o, u) Y4 X8 p3 h" \
So we did this campus-wide exhibition. People performed down here. They’re in costume, and we1 o7 R/ M* \. h; z$ d4 R9 r
project just like this and you can see what’s going on. You can see what they’re seeing in the head
4 ~4 V8 e; q& m% @4 Bmount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]: z \$ Y$ s& P
This is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the
% J! L! L9 `1 H$ q R" u Umoon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can& m9 L. Z: A) u- n
get the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do; ~' e5 G8 s( @ v( o2 d K
our best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It" A& j) N) J# p& Z7 J& Q
was an unusual course. With some of the most brilliant, creative students from all across the8 l M; o" l/ r4 ?0 t0 w
campus. It just was a joy to be involved. And they took the whole stage performance aspect of this
/ g% b/ M& A1 x" T0 Away too seriously [shows pictures of very strange costumes students wore]. And it became this- @/ X, F; K* B+ U2 Y; a3 f
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids
# U( y; x+ ^9 W Ta sense of excitement of putting on a show for people who were excited about it. And I think that
, M5 q2 z0 U8 j! j* r9 othat’s one of the best things you can give somebody – the chance to show them what it feels like to# m" N2 G' x8 w7 G9 s1 X% U
make other people get excited and happy. I mean that’s a tremendous gift. We always try to
2 Z* V( x; N1 u4 N, Cinvolve the audience. Whether it was people with glow sticks or batting a beach ball around… or& N8 U' Z8 r% e4 a& r
driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.
7 |) K( @& }" w9 u$ k5 F, LThis technology actually got used at the Spiderman 3 premiere in L.A., so the audience was: V \: @9 w l1 H7 @& o1 H8 c
controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from
7 { l! f: X# P; d' Wevery year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an
; Q( m2 \( m% ~ n9 m1 d$ qhonor it was to teach that course for something like ten years.: H# A' k" ]# ^, Y% ^- c1 |
And all good things come to an end. And I stopped teaching that course about a year ago. People; i. E1 ]# V: p9 G
always ask me what was my favorite moment. I don’t know if you could have a favorite moment." e, Y8 V! ~: C. o+ u n
But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one
! P' N; b& R4 q" kof the rules was that we perform these things live and they all had to really work. And the moment$ d- G+ I0 D/ j
it stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
. _% [. D3 A% K/ H' ]1 Zimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller1 p. T6 N# e/ f7 j5 i) e
skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was
7 `, W2 P. A3 W: }+ f( C$ [Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk; T5 O$ D: M! T- G3 s8 R
about quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to$ J( p9 p& [/ b3 r' W u, d( O
videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!
: b- }; v/ |) W2 {" w' c2 _[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of
9 n, {) l) h9 T4 J$ p+ zthis high technology course was a brilliant ad lib. And then when the videotape is done and the1 g8 ?( b5 n2 |
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a1 S" n$ E4 c3 P- [4 Z9 u$ y" Z
fantastic moment.4 Z! }8 R6 W0 }$ R1 q, L
And the course was all about bonding. People used to say, you know, what’s going to make for a
% U4 H. p4 E/ ?+ R; w5 pgood world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
5 T+ O( [! H" w# a- [ Sworld’s good just by the body language. If they’re standing close to each other, the world is good.9 `8 I X* A. M! l$ U q
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I
# h9 \9 V G0 ~$ @0 S8 [won’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped
, Q' k: l- j0 I$ y0 S/ udown from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you3 I! z3 y8 \9 I; e3 v
will get those arrows in the back, and you just have to put up with it. I mean everything that could# \% p& T! ~( i+ D1 `/ e* Q$ {
go wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.. w# O$ H' ?; x
When you’ve had something for ten years that you hold so precious, it’s the toughest thing in the
; B; \% P' F0 W" Nworld to hand it over. And the only advice I can give you is, find somebody better than you to hand" g* m: g P8 C+ ]& g; e1 v" y
it to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have: s5 X& n6 ~1 W N- b
to spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my
' Y( d% ]. a/ j1 B, |' Dgreatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica% n4 x7 X$ |5 [- ~4 K( K
Hodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this
, K" S1 B. Q: d5 |over to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is
3 |! }, r V% Z+ Y; I, min more than good hands – it’s in better hands. But it was just one course. And then we really took3 n& z2 z: ~8 c
it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
, x. _7 i+ `* W4 e! C" z; rgot together and with the university’s blessing and encouragement, we made this thing out of whole; \) y. I5 b* G9 W7 V" Q+ p6 v
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go
! }+ R2 ?( W, A4 G+ k& |- Knear this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology
; Q7 ?% B# @4 h: s1 k7 S, }8 pCenter was all about artists and technologists working in small teams to make things. It was a twoyear) r7 D, t1 R- O
professional master’s degree. And Don and I were two kindred spirits. We’re very different –# d: ~ a" ^+ q" Y" L9 T% d
anybody who knows us knows that we are very different people. And we liked to do things in a new
( a3 l% X& H; g! n! Y+ Yway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to& A3 }* C; H$ K$ d
say that I am uncomfortable as an academic because I come from a long line of people who actually. n' C6 o7 N/ O* E0 q, B* r. a* D
worked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie, m- [) _8 d3 H7 z$ U9 ?
Mellon is the only place in the world that the ETC could have happened. By far the only place.
m. ?* S6 `6 l0 r$ M[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next
( L1 ^: T* I! _5 a- d! \to Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the% a' R8 o3 J- h' `) v6 `+ \
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer. L j% e3 t& ~
to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really
/ B# L$ a0 J) {* H1 Ydid play up the left brain, right brain and it worked out really well that way. [Shows slide of Don. u2 q; b o }7 t8 E
looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small9 I% w1 W3 {) ~: O
office. We shared an office for six years. You know, those of you who know Don know he’s an
( f' }, @3 [0 x7 l- r. m" ?intense guy. And you know, given my current condition, somebody was asking me … this is a4 h# n% g. e% Z; C' J5 O7 b3 y" H
terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,# V+ e, q6 R( I) [/ N. p
given your current condition, have you thought about whether you’re going to go to heaven or hell?
2 _( q1 D) ?- p+ M/ c3 m4 Y, cAnd I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.8 C4 @) ^. x$ P
Sharing an office with Don was really like sharing an office with a tornado. There was just so much
+ r& H$ u# A$ ^5 ?energy and you never knew which trailer was next, right? But you know something exciting was
2 |* |# R( H& L+ ^& M$ Zgoing to happen. And there was so much energy, and I do believe in giving credit where credit is6 _% l! S+ I3 y
due. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets
: q; |! y( m$ ~) sthe lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share
9 L0 p, L z, m8 iof the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great! u/ Y; ]( _" Q/ c% \9 [, L
yin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him: |2 F+ C2 F* N- t
because the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk
+ X: g$ o4 T& }( m% J/ rabout that in a second.
2 F) x6 _9 X4 o: d$ iDescribing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
. a% j4 N i4 E# G' `describing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the
; U4 |/ Z0 P" S* `: x% a umistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation
$ P& E' ~ [/ r- J7 p! U3 nabout oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole/ h( P/ o7 \& q3 B: c8 [5 l- s
point. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve1 V V& o$ z/ Q: v- l( I! P
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only
. a4 E$ f' w8 Z% j }$ c$ Ecourse each semester; audience laughs] The curriculum ended up looking like this. [shows slightly4 e0 K6 a( S4 b5 h* z1 K; P
more detailed slide]. All I want to do is visually communicate to you that you do five projects in5 H( l/ H1 I& l$ Z, H! A2 Q9 _
Building Virtual Worlds, then you do three more. All of your time is spent in small teams making+ R, C: [8 Y# ]0 z' s" V
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s
# e# l& e0 z9 h/ Na master’s degree. They already spent four years doing book learning. By now they should have! c) ]) w4 c$ L2 J' z
read all the books.
2 T' w* S+ q4 }+ F' SThe keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
2 ]2 n5 ^4 v# ^' j9 d* {had no deans to report to. We reported directly to the provost, which is great because the provost
* n; k4 s% u+ P1 y! E4 His way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
9 z- `, }+ s# u5 l9 L) VIt was all project based. It was intense, it was fun, and we took field trips! Every spring semester in0 |' }) e0 l' g T; I+ |6 H9 {$ U5 ]
January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial
( Y7 m* K* y; [7 q, bLight and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s1 ?- @0 z; P! m, M
pretty easy to get entrée to these places. So we did things very, very differently. The kind of
$ B1 F* k d% mprojects students would do, we did a lot of what we’d call edutainment.) s( i2 k; `3 x! t1 r
We developed a bunch of things with the Fire Department of New York, a network simulator for! b# S, r( i8 V3 ~
training firefighters, using video game-ish type technology to teach people useful things. That’s not; J. L: X$ u/ W0 H
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve
6 U1 @ n( X$ N, Kgot the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.( H, j: }- e' p
[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written, c# ]1 {6 d$ U8 g; k4 h$ R
agreements. I don’t know of any other school that has this kind of written agreement with any
7 M' Q% M( `6 W' b5 n/ ]( icompany. And so that’s a real statement. And these are multiple year things, so they’re agreeing to
/ K9 Y! K$ S8 C3 l5 [hire people for summer internships that we have not admitted yet. That’s a pretty strong statement C% \& M- V! s" L5 \
about the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful# Z- K; F, C9 ~' H$ S" P) k
complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight
. T! W: {5 Q) E& y) t8 `/ _4 u0 _because he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already
2 e; E) C9 ]& Von in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I- F7 i4 b& y5 Q& r: z3 M
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon
$ S# I. X5 e$ _7 X Gis the only university that can do this. We just have to do it all over the world now.; r6 Q P! Q: q, g" |0 s* u! s L
One other big success about the ETC is teaching people about feedback [puts up bar chart where7 \5 g& p5 L: D: a! Z
students are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the3 S( m O: u5 I: T2 R) J
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar
, v7 s2 x5 z7 ?: l" h" p) Gcharts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put. ]# P% B- ]' o2 H- \. N5 ~2 y* U
that all into a big spreadsheet and at the end of the semester, you had three teammates per project,3 Z; |) G" A7 h/ U9 ^
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a
5 O. g# J3 L: I% o' ^- dranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard; p# m/ j" D1 t# \3 s* {0 P* q
feedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and5 Z+ l! T8 N: a) S! t
went, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in: ~4 x6 M; q4 _2 Q6 {: N N7 X
these meetings. And that is the best gift an educator can give is to get somebody to become self
/ b; i- d4 J; ^reflective.
2 e) B- a( K( C, @3 W8 dSo the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very: t# X9 T1 J+ C) e) U1 t, D- s
labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.3 x* _7 ~: F8 k& j6 t1 [6 J
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.
o b; q+ ]8 ?6 xScalable to the point where millions or tens of millions of people could chase their dreams with
0 q& ?6 ]. N' V% @/ Osomething. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on) S) u+ ~$ \2 J! {9 e8 h
a Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a, |) [2 M; ^! H9 L% C& m
novel way to teach computer programming. Kids make movies and games. The head fake – again,; D4 d$ M: Y2 J. Z" m0 o9 a8 I9 X
we’re back to the head fakes. The best way to teach somebody something is to have them think
! q5 J6 z/ P8 }# F4 d& D- Ithey’re learning something else. I’ve done it my whole career. And the head fake here is that
" D6 ~9 u+ D7 ~they’re learning to program but they just think they’re making movies and video games. This thing2 j- ^" r: c- s6 g( f' f; z
has already been downloaded well over a million times. There are eight textbooks that have been
. N4 C' j2 P) ~ w" Q3 P0 Xwritten about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The
- _9 y6 H4 i3 n. E# T* b5 wgood stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get P1 J9 Y$ X9 p
to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
8 U' D- T! M* cfun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next& a& ?3 z6 G( t$ V- Q) l" Q
version’s going to come out in 2008. It’s going to be teaching the Java language if you want them to
. J+ z `; C- a4 p2 v8 s! oknow they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And
* U2 K5 R3 I, w% `5 G5 Q. O) Vwe’re getting the characters from the bestselling PC video game in history, The Sims. And this is/ U- z2 z5 I. k% C5 k1 T
already working in the lab, so there’s no real technological risk. I don’t have time to thank and
; n1 q* U" ]7 L5 v; D; cmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be0 a: L( f4 @: o! w- a7 [# B
building this, has been building this. He is the designer. This is his baby. And for those of you who
7 q# H7 o/ v$ F) w' \# Qare wondering, well, in some number of months who should I be emailing about the Alice project,* q+ m% `& Z9 g
where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.% g; l+ c" @3 y' S
Audience:
0 U2 f6 e' C# V/ Q( W( a! b0 i, pHi, Wanda.
/ \7 \: s e/ g6 d- S* FRandy Pausch:
+ P. D% `. {" P# ~6 S) I, iSend her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her
5 O7 z) d3 M b+ h: ?* Q' c+ Y" K. uPh.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to
$ t: r/ C0 s f4 F, mmiddle schools with it. So, grand vision and to the extent that you can live on in something, I will
* Y( s0 {4 o2 L Y% {7 V0 llive on in Alice.1 z$ ?1 `8 N, h& J( O$ [# [; C z
All right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
! w+ V# F: G* p h) b: {) F& Ktalked about helping other people enable their dreams. Somewhere along the way there’s got to be
$ I/ {9 F) m+ K+ F: k0 e8 Fsome aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors
. z# \, E8 ~- l& ?6 `and students. I was blessed to have been born to two incredible people. This is my mother on her7 i# t( J6 N% X# K5 U# z
70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]) _$ f3 K9 M* O9 }0 ]7 @5 ^
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster
2 A w: ^/ ~- a4 E/ L! V8 Y- ]on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented4 k9 l5 |$ L6 i: k# o/ G2 I' k0 P
because he did win that big bear the same day. My dad was so full of life, anything with him was an; }0 T9 v3 G$ |5 X1 y3 |8 g9 y3 b' K6 f
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,; E( ]; E) b& F S
but I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things
7 G0 p- ], P; O3 w5 Qto help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every) X# }1 d( ~: U X) a8 I+ J9 v
year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife- D! f1 P" M6 \+ V9 O Y
and I have also been involved in heavily. And these are the kind of things that I think everybody
- M; |5 _, ^4 w9 c0 n4 xought to be doing. Helping others.
7 y- r0 N6 ]( f. g' O- L) vBut the best story I have about my dad – unfortunately my dad passed away a little over a year ago+ U' }- J6 d/ L! k. b5 k
– and when we were going through his things, he had fought in World War II in the Battle of the$ z- K) w# Y' k4 E$ l
Bulge, and when we were going through his things, we found out he had been awarded the Bronze
# i0 H) y9 I9 |" AStar for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.1 E$ L* F$ M* i/ l ?: b% A8 u
My mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people. s/ j- y4 l6 H0 @! E6 [6 z* N
who love even when you pull their hair. And I have two great mom stories. When I was here. {, m) B- D% j6 A3 D( t
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can
' g3 l: N+ S3 r3 t9 t$ Edefinitively say is the second worst thing in my life after chemotherapy. [laughter] And I was# h8 [4 M8 \0 o# k* ?- F
complaining to my mother about how hard this test was and how awful it was, and she just leaned& S8 ^# @' \* o* q) `. l
over and she patted me on the arm and she said, we know how you feel honey, and remember when
5 t5 N' ~9 C$ t nyour father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother
0 c1 _) |0 e' d0 I& D8 m7 Ntook great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
1 m6 c; g! \7 l& x9 a; g[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I
& W# f7 A0 V5 l2 X, d1 h; a/ x8 Wdecided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an9 ]) A$ h8 Q6 o: c& V
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
- w- L+ I5 f% C0 `1 {5 s[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And4 K" s! w# y4 V7 I: R5 X
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And& D, L4 I( X& d' r
anybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me
9 X0 z5 `# [2 {; S6 _8 ]& H- p9 olet them do it. It’ll be OK. Don’t worry about resale value on the house.
) d$ @; U" |. iOther people who help us besides our parents: our teachers, our mentors, our friends, our5 X1 \5 f. m4 X
colleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
+ [) x0 w% w$ M! D, Gwas on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a
7 u' d! d9 b) a N5 q- Ncentaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but
& f' Q- P3 p! Y; t( ikind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching$ D! V/ v* r' W
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some! }4 u2 k/ l- e F
office hours and of course it was nine o’clock at night and Andy was there at office hours, which is& f6 V( T1 k, U& ~- I1 |& R' X
your first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
$ m* G$ G. ^0 _I’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da: f0 ~' M$ {9 |
da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
r8 ]2 r( S0 _* hput his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame+ A" J( k# i& a, ~" x9 }
that people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to
) P- p3 W. U& P/ S* o7 ~accomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t
+ e, ?' b/ L. a( H1 {% p+ T; Lsay you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
# [+ s5 p9 g3 D3 l, Tto limit what you’re going to be able to accomplish.
4 H3 \, i7 \2 w' c( J( ^When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you
3 i) }6 i' I) u9 l5 R* i/ ^- ]( kAndy stories for a month, but the one I will tell you is that when it came time to start thinking about
% `+ {6 E3 g/ S2 ~( hwhat to do about graduating from Brown, it had never occurred to me in a million years to go to# [8 {( ^9 q' c5 C- i- U
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did. y2 I2 L, Z/ y u# P1 R
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.
' e( k( I9 b, b7 \( P% E7 SBecome a professor. And I said, why? And he said, because you’re such a good salesman that any
& ~4 t! q& C* b U, P1 `4 Fcompany that gets you is going to use you as a salesman. And you might as well be selling2 t8 h# @8 I- X1 z* @
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
4 n* z+ T! b& uAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of4 G1 H+ n! j8 [, X3 h; p* r
various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
* t d6 T, A' [+ e, nhappened there. He’s probably watching this on the webcast going, my god he’s targeting and he2 V, x# n$ Y: O$ G
still can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
/ M1 W( W2 \: G) [( V% k2 hwere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to# t2 m2 |2 W ~- j
endure that experience and I’m very grateful to all the people that I ever had to have worked for.4 K; m# l9 w" W7 T
They have just been incredible.
' M1 H1 P+ L% D) M( cBut it’s not just our bosses, we learn from our students. I think the best head fake of all time comes
g3 K1 f7 I1 @, k1 ]from Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at
; R! e! _# p( V& c9 r1 w" LWashington University, and she looked at Alice when it was an easier way to learn to program, and6 |* L8 b3 R( Q& s& h# s& ~
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the
2 f' F% i b4 l( S% R- g% \: slittle toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the
- Y/ ?, x* T1 {( y; C1 N# Wone who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work
# G- M. | i! \' `1 l' A# p% Zshowing that, particularly with middle school girls, if you present it as a storytelling activity, they’re4 l! @4 G( k, w. I4 w
P a u s c h P a g e | 19
% a9 l/ ?% V; Y# R. `/ P: }* tperfectly willing to learn how to write computer software. So all-time best head fake award goes to6 m, T, d* c, a7 P! O# |3 y* U
Caitlin Kelleher’s dissertation.) P% u3 t: x2 D, i. f+ U0 Y K
President Cohen, when I told him I was going to do this talk, he said, please tell them about having- F& |' H2 m' v8 d
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish
; Y& Q- Q/ p# N8 ]talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m
$ Q" j5 M/ I* q+ L( i$ ?0 ?3 x: P% k- bhaving fun. And I’m going to keep having fun every day I have left. Because there’s no other way to
4 C7 ?1 u- j4 t1 uplay it.
) C3 v3 Y" i' k; [5 h' H2 W5 nSo my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide* d" b- D+ \3 s1 \ @) S
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m
# |" W2 N8 n# a: yclear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
5 N, ]# ]" W7 n& @& Q4 K! ~It’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
1 C" p" w# a+ l8 J) K2 e: s( cother people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a
7 w+ m/ v1 ~, p! d6 M+ y1 ?3 |group, how to care about people. M.K. Haley – I have a theory that people who come from large9 W6 ^4 I& `" _ D
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a% N% r7 x- Y& Y2 r1 S( P
family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s( r0 ^+ Z. t& h) J& ? C
kind of fun to do the impossible. When I first got to Imagineering, she was one of the people who
7 S$ Z! B* G! f- rdressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?
1 I3 M: e$ o Z2 ^9 GAnd I said, well I’m a tenured professor of computer science. And she said, well that’s very nice' t+ E8 u2 W; I0 x' @
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]
# T* o! P% L7 |" v8 t- Q* tAnd you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
2 ]. T) S' e) k. f- [cherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s4 W) \2 j R$ _' z4 g
jacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why
' g6 n1 K+ C2 Ado you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
2 M% f' y4 i" w# [who were much smarter than me. And I said, because I can. [laughter] And so she thought that was2 a, N" O; j2 z
a real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy] z$ @6 g7 u2 ~0 F( Z! I$ w! {
[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for
/ l% E/ v) \: \: n0 Othe egomaniac in your life. So, I’ve met so many wonderful people along the way.) g3 d. K8 R9 [$ n! E0 c; n, T% j
Loyalty is a two way street. There was a young man named Dennis Cosgrove at the University of
8 A; ^' |6 S; K& Y& N& N+ EVirginia, and when he was a young man, let’s just say things happened. And I found myself talking& @) a. c) ?3 H5 X5 j
to a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never& `4 ^# R% [1 s) |6 L
figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for0 p) Q# f: |* h: X
him. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even! }1 O' h% e2 M" W9 I. s5 ^$ n
tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I
6 Z. x/ V& R& V1 n9 Vthink he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.8 `- S; R1 h) }* A! @" |
And the dean said, and I’m going to remember this when your tenure case comes up. And I said,
. }" a, B* i. ]8 `% h; Rdeal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
3 h, E# n( [! a* HBut loyalty is a two-way street. That was god knows how many years ago, but that’s the same8 w: W+ B; W3 c! ~8 ?2 h5 a: v& w
Dennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only$ k; o& Z3 g" L" h" \6 ~
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
) a$ |5 O+ x+ a6 s W8 Lcan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would
. l( a Y5 }8 nbe Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living* Z; l1 \, ^) v1 j ~8 v, L
anymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by3 Y% L. v& _. A5 S. Z$ f4 b; M
her, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great* c3 M6 K$ z. h& M7 u5 A* Q2 B( r
because Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
/ e3 U C# G% j( Dyoung ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
, h0 {! v& |7 X" l$ B& ]. l- e+ I8 Ncomes to men that are romantically interested in you, it’s really simple. Just ignore everything they
_/ v* ^0 `! w' x6 G9 ~# Dsay and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to# u0 a( U+ a0 [% F7 k
my bachelor days and I said, damn. [laughter]
; c+ j; W; s4 LNever give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
8 m9 n9 _/ W3 Z d @& G1 y, Oeventually decided that it was getting really annoying to have me call everyday so they let me in. At" @- }2 z+ ~! U. _$ {% K: f
Carnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate# B9 f% d- c# K8 `6 q7 N7 Q
school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you1 u+ G0 Q. C; \2 T: d+ ]
know what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he
& ~0 w* h6 p3 O' i) f4 Uhad kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had
W) s) N7 ^3 t4 z2 T0 P$ mreally gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.
% w. k+ g, @5 Y$ K1 yWhich, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.8 g) s$ B; P1 F J5 G
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
' g$ ?& _3 [: iAnd I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter; ^$ D9 {* `7 R" j
on his desk. And I said, I just want you to know what your letter of recommendation goes for at
9 Q9 b9 v: `' i d/ v' m: pCarnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
$ u& M6 P+ @' Uhe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the- e" q$ Z1 Z0 a, d4 S* j
way I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.
/ D' Z- D" ]. m[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,
. u' m! Y$ o3 m: b( J) H; g" |I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,$ A1 a' o2 @- t
go visit the other schools and if you really don’t feel comfortable at any of them, then will you let me, p9 L: ?# D# T& f/ b
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and
% X( H3 t3 o" I3 k- BI said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]+ N) M. |: v: _+ H3 u* x [( {# m8 b8 ~) D
Berkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
+ f: M$ _% X4 H/ S: Eknow, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked
) D4 J) d ?7 P! r; X3 Qin Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his" t4 Y$ p4 h: B% b
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So" @$ I9 J' L4 N) a$ \. x1 y8 D
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I
% G7 \" c! g5 K6 wdon’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,$ q" [+ @! j0 } |/ S3 g
why are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since
$ i4 Y3 `6 ~ g$ Xyou admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious& j: {+ t" C, u$ R/ H; x# x
fellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a8 ?' \( F. Y# w
fellowship, money, we have plenty of money. That was back then. He said, we have plenty of6 {& Z2 h% a6 z/ Z
money. Why do you think having a fellowship makes any difference to us? And he looked at me.
5 |& A0 b' {& G+ r) P hThere are moments that change your life. And ten years later if you know in retrospect it was one of! e1 w3 R) B8 _* O' S
those moments, you’re blessed. But to know it at the moment …. with Nico staring through your
% _' S0 j4 o3 n# }2 a8 [( VP a u s c h P a g e | 21. h! \1 \* H p% \6 E
soul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
' x N: A$ G/ M; T' I# Lhonor. There were only 15 given nationwide. And I did think it was an honor that would be7 d& v: B; d0 i6 |) {, H8 U
something that would be meritorious. And I apologize if that was presumptuous. And he smiled.4 ]' }% |: W- c# p1 H% q
And that was good.+ c: @* z+ s# K! n7 \. E3 ^/ L
So. How do you get people to help you? You can’t get there alone. People have to help you and I+ s, p$ v+ A% V* D' n9 T; b
do believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
! K% h$ U- ?" \# ^3 r, learnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
2 ` k, v# I# }" T' {! Z7 v5 Qis long term.
7 n+ r# k8 [8 o% n4 _5 I6 g# {9 V2 _( J" iApologize when you screw up and focus on other people, not on yourself. And I thought, how do I
. ~' P1 m- l. l5 l1 g/ Vpossibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete, B6 y% k% Z m5 d: p+ Z8 ^
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]
( W7 Y4 R0 B9 f, ?# m$ ASee, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus
4 x& q5 G4 G5 ]: Z- son me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
: N3 v9 v. ~/ Fbirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled' b. a4 e2 }; T ?& B# B
onto the stage] [applause] Happy—" s. F' ]1 O a
Everyone:
5 Y0 c. o: b7 m& @5 a…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy3 w0 g4 `% y- ^9 F: m9 p/ C
birthday to you! [applause]+ }. e6 X7 o6 i2 }' d
[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The2 G, n: h9 T! I3 b& C5 w( [
audience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]
3 T2 L+ C; S5 Z) ^& nRandy Pausch:
# g" \: E3 v: v6 {9 _+ i! V9 d) zAnd now you all have an extra reason to come to the reception. [laughter] Remember brick walls let
! t! k1 ]8 c6 M' H# y, gus show our dedication. They are there to separate us from the people who don’t really want to3 x* a/ v+ A: l8 K
achieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.. r! @% Z# w4 d7 ` P
[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was9 _ c! `- u* p
the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we1 M5 f+ [. ]5 O }% D! e: E
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
1 \) ?& l0 O/ N/ lgive eight million dollars to USC to build a program just like yours. We’re hoping you can help them0 ]9 _/ p9 s* z5 U% o, a. ^5 X& R
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And
$ S/ ?* h X1 j- T2 D) J$ X0 Nto quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we% r3 ?- I8 k2 }! ?( F
have a great relationship, personal and professional. And he has certainly been point man on
+ u. m- I* T, S6 O, _) l9 H7 Y2 Fgetting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
" f3 O4 o5 q. ncertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
) }+ F0 B0 c" q' Y$ v; _# Phave been the right thing to do, and when you do the right thing, good stuff has a way of happening.7 m0 K( v& E" `2 G0 h5 s
Get a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or( Q( S; x# Y- b% J4 X' T5 d5 K
it can just be one great man who tells you what you need to hear. The hard part is the listening to it.
5 @. Q$ X/ t5 H' W k& l4 LP a u s c h P a g e | 22; M/ u' p. l* o
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed
p1 n8 Q5 S: _+ c% h5 T" Z4 y7 |to, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and
! y! r6 M- o0 t( Guse it.
! R" \- |$ ?& Y$ \Show gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.. y5 e8 T& J+ Q7 g
And one of the other professors at Virginia said, how can you do that? I said these people just# S6 o n+ w/ X- l
busted their ass and got me the best job in the world for life. How could I not do that?; G. s( d+ }0 }' i
Don’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league' o- O$ T9 O$ v6 P( }
baseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even7 [1 h$ k7 n* b& W& s
when the fans spit on him.
$ r( X) i# s, Z# |Be good at something, it makes you valuable.
4 r1 l$ L1 P5 P! ^# l; j T% \! y# rWork hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,7 ]6 J9 f) c% `+ V
wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in% B; |) ^+ L1 n: W2 J, h7 C3 }
my office at ten o’clock and I’ll tell you. f, J6 i# k* S+ y: m0 v" S, `5 }
Find the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might" V; M+ J7 ]4 c' ^3 w6 v& u, [
have to wait a long time, sometimes years, but people will show you their good side. Just keep
' H. r; S R$ L" K8 vwaiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
: R) d9 T+ n( M5 D9 {it will come out.
4 W, o. \) o7 }And be prepared. Luck is truly where preparation meets opportunity.; V! {4 E. Q1 ?1 Y
So today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons. e u! `; v& r/ v7 d1 z8 w
learned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your& k* C& n8 _0 r* m5 P
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
5 N4 j2 O2 Z1 g$ uof itself. The dreams will come to you.; w6 J1 h% l# u5 o: e
Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,) g% n5 h/ I7 v2 o, f7 O0 l
good night.6 j! ?0 F; T1 y9 }1 Y$ @5 f6 t d9 K
[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit
- B6 Y3 `, h6 S* x( fdown in their seats; standing ovation continues for another minute]) {4 u" ?8 W6 X& P7 _
Randy Bryant:
9 |4 y# Q" S& P! ]Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.
3 O3 F* L O- D6 l7 X: PHe had this theory even up to yesterday that there wouldn’t be anyone in the room.& G- x- Z5 s7 \8 ?
Randy Pausch [from seat]:+ M# }+ S- [9 N4 l( n5 E% h" i
After CS50…6 w1 S, D. a+ I. b: q1 q; e
Randy Bryant:1 h7 U* @7 |# j" m: M8 x6 v1 }
I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy3 s1 ~/ x* n) S
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
8 f9 W' i3 G# m, ?7 ?from Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of) f, L8 o7 K0 J+ I' T8 h8 x7 ~
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the
* E! j$ E0 c1 t; b7 B V8 kother Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased$ @) }# F1 F G( L
today to be able to sort of run a brief series of ways in which we want to recognize Randy for his5 G8 W+ U3 m0 ~9 n
contributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we+ r5 N9 V% n" g
have a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.3 t+ J, g) T8 {: H* A7 L4 C3 H) Q
I’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from, W) J9 q U! a2 p$ e0 [$ `
Electronic Arts. [applause], I6 G# j% f5 k$ s2 y" N' G0 _4 ?
Steve Seabolt:
/ U6 F# d$ x7 b9 L$ g1 m1 YMy family wondered whether or not I would make it through the introduction. [voice starts to crack* h( C( }4 p1 c, K/ Q5 ]' H/ w
up] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,0 x/ R5 Y" G0 r, c( O' |% Z4 K w4 j
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
* y4 v4 P$ p+ V4 h) k/ c' B- zto encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t
& A( L2 ~# E$ E; a% ybe a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,
~0 i- ~0 _! K. }8 t/ J" Fand at the same time companies are forced to off-shore, there are fewer and fewer; K5 Y' R! A4 i2 s/ \
students entering computer science. And the number of women entering computer science just2 D# a3 J1 S; ]2 P( b" s1 M( y9 @
keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so2 D4 h' o( [ D, E4 \
many more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the y' Y: W" n4 o" R
Randy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership: W8 l8 _: z8 b* [( u+ ?# _0 k( C
and contribution to education, computer science, digital entertainment, and his commitment to; A* K: w s1 v* {. ^8 H" s5 r! j# C) Y
women in technology. This scholarship will be awarded annually to a female undergraduate CMU
/ s& G: X9 X* B2 @8 M/ sstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in* r3 @6 L. y8 ?# m: }2 O. f
video games. Randy, we’re so honored to do this in your name. [applause]
# q/ |- ?7 p3 mRandy Bryant:
) D# d. `/ n% t: p# }( SNext I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing7 D. x3 |- }% a
the ACM Special Interest Group in Computer Human Interaction. Jim. [applause]* B4 U E0 c3 ]2 b8 [3 p, V$ a9 z8 ?
Jim Foley:' v6 J. |# T* ~" |
[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the/ T2 b m+ b# L( v
Association for Computing Machinery is a group of about 100,000 computing professionals. One of ^# p" z1 F/ K' }5 g& l
their special areas of interest is computer human interaction. A few weeks ago, someone who’s a
e- q) s6 A: M$ f; u1 Qvery good friend of Randy’s wrote a citation which was endorsed by a number of people and went to5 U7 F- t8 K U% s0 z2 Q
the executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
7 ~) R) V, w( E! M3 vspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny
' p5 F5 j" z6 A- X- L; b/ xPreese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the, G9 s2 M( R5 m
executive committee. So let me read to you the citation. Special award for professional6 }% t4 R4 w/ T# O2 k* D/ K; C. D7 W
contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both8 I! n% a; D; D6 e% H
mature researchers and a generation of students. His deep technical competence, choice of
6 l# t, @: Y6 I$ bimaginative projects and visionary thinking are always combined with energy and passion. We’ve! [3 U* V8 y( z7 A
seen that. From his early work on the simple user interface toolkit to his current work on 3D Alice) `5 ~( d( d, W) ?
programming language, he has shown that innovative tool design enables broad participation in6 \: U8 |) i* X' ^
programming, especially by women and minorities. Randy Pausch has vigorous commitment to
% l' ]: V% t) d8 bengaging students at every level by compelling and intellectually rigorous projects, and his appealing+ S# q* V/ t0 s y5 r
lecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]
7 c) `3 C" T" j0 pHis work has helped make team project experiences and educational computing research more
4 Y+ H, g! l/ Qcommon and respected. As a National Science Foundation Presidential Young Investigator, a Lilly- R* V( s, V* C- |$ ?3 M; @' C" u
Teaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney
) x) v/ T) ]# Q1 L: ?1 Q& BImagineering and EA, Randy’s done pioneering work in combining computing interface design and
* l2 t: c9 S0 ^1 |; Eemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive
# b0 T# i! B; a1 ^) g; Ocouncil is proud to present to Randy Pausch a special award for professional contributions.
7 g$ J2 e9 g3 j% |" ^5 ^- P1 X[applause] [Randy comes back on stage to receive award]
5 p6 q% n; e$ P1 _7 A d. jRandy Bryant:3 ]- j% W& @9 [- F+ F
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.
" b' g9 q& s$ F/ T6 u' V9 W& x[applause]
* L" c2 x% P2 C. ~3 Z# \4 ~Jerry Cohen:
: q+ U3 F6 a; p* w+ R! ^Thank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You4 `+ U3 I/ H0 ~. \
know you’re traveling heavy, buddy. Many of us have been thinking about and talking about how8 \, J- x. p3 Y8 C5 \3 F) ?
we can recognize you on this campus in a way that is lasting and fitting in terms of what you meant0 E: ~& [2 Y; |
to this university. A lot of people are involved in this. You thought the provost wasn’t paying
4 ?) ^/ U! u$ ?attention all those years. [laughter] Actually, one of the ways we’re going to remember you is this
' u& Q* z3 P5 Q+ M# J' K1 ^, F+ \3 |$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we7 g* Z; K2 k/ [
really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture
& J D& r$ u3 Z j, @# y- vthe kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a, W. y0 u7 T, k1 S" O3 F
teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,! C- L( S5 X4 m# v: y" L2 O
however. And there is a way to remember you every day, as people walk this campus. So we’ve
- L7 \/ q2 a7 y, @come up with an idea. You’ve done great things for this campus and for computer science and for5 }" K6 ?4 G# I3 I. W& c
the world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve/ k8 ^7 S; h) x% }+ j5 v# R
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had& m, w P, w$ z1 {- P& {/ {* ]
enormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the# c- f( @5 w K6 y
following. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
& _& _0 h& x* l4 qslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A' Z" h+ n9 l% t; S7 A
hundred million dollar building which will allow us to do the following. You’ll note, by the way, to
' L3 o4 K" K) X% uorient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern: W" h; n% n8 j4 B! f Z) U2 h: U8 c
looking new thing, half of which has a green roof, is the new Gates Center for Computer Science.
* ^6 h) m" ^5 b7 O/ u" `! ~And we had long planned to connect these two physically, both to allow people to get down from
* w6 P3 T3 K/ M% e- Ythe cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well' }# k3 l! d U7 F
on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m
3 R: B3 X+ C. }9 Zpleased to announce today that the bridge connecting these two will be known as the Randy Pausch
: ?1 p: K0 M; Y+ |Memorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk
- v7 T- g9 d( j6 ?% |today we’re thinking now about putting up a brick wall up at either end, and let students see what/ \% d( o( D1 \
they can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here) u9 W4 i) t2 P' x: S& C, n
who will not know you, but they will cross that bridge, they will see your name, and they’ll ask those
* A& ?& `5 E9 I$ @) @of us who did know you. And we will tell them that unfortunately they were not able to experience
- f$ w, |- z+ o- L2 ~1 {* ithe man, but they are surely experiencing the impact of the man. Randy, thank you for all that
; U" l& a) B& c& W o- fyou’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and& K( S3 T/ K5 g$ r+ W- s! h
gives Jerry a hug]
5 i' P* r: H- NRandy Bryant:- c. V& B6 ?, z; p& X
So every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]2 a: M. o# H* I/ r+ D, Q
Andy Van Dam:
6 ^$ c+ ?. g& l( n; L& n0 D3 O4 yOh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t) e' n" }) W6 q/ o
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure2 a& g2 h0 \- V0 \8 C8 n* N
and great joy not just to teach thousands of undergraduates and some graduates, but also to work [: k, c0 O0 r) Z+ N9 M- Z
one-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud, D' {) e8 w; {+ c. k* k
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed+ X- K- S) V5 f0 O; g( |
great promise early on and a passion about our field and about helping others that you’ve seen. H7 G& h' [) W, x& h, @9 q( _
amply demonstrated today. It was matched by fierce determination and by persistence in the face8 H1 k% [% s8 \- t4 a5 O3 J
of all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights
; y! `9 G v8 `% b! Zthis terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you l' C2 |& A* X
remember that. And what happened to the elephant’s child, he got spanked by all of his relations,
! J" X' {7 x7 J1 ^9 Dand you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,/ x8 F/ {8 X! d4 ~ f+ x2 {+ P
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to0 l# K: y }$ ~, P+ L9 }7 l
the point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from* [9 W7 A7 N. ^2 U; g; a' U
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve! v, M6 o* \4 C3 P; G
seen that demonstrated over and over again. Now, having been accused of many such traits myself,
# y1 ?5 i% A' e( }9 }+ ZI rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I
, T! _+ e7 q8 N/ H4 ]was a fanatic about getting students to speak and write correct English from the get-go. And Randy
6 B: u C! t8 H0 jthe mouth had no problem with that. But he did have one problem. And I’m having a problem with
0 }" d( m; r) U$ m) Mmy machine here, here we go. [gets slide to project on screen]. And that was another part of my4 ~8 O+ O& m6 F
fanaticism which dealt with having American students learn about foreign cultures. And specifically+ i: _; [$ O' r) M D1 T. p. C
about food cultures, and more specifically yet, about Chinese food culture. So I would take my1 O* G0 Y9 t- e/ l3 w, e
students to this wonderful Chinese restaurant where they cooked off the menu using a Chinese
0 E% V0 e1 t$ q w2 a$ Imenu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?; y J. [6 `+ l1 F
[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
9 e9 e) W l" W; Dthe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with" r: F, r+ n" ?& U1 p! m9 Z
chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And
' Y9 F1 c! e* w" R2 M5 r( |$ Bso it came time for graduation and I handed him his diploma. And this was the picture one of my
2 Z: a n9 Z' Q9 i# ]friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and9 g P: J/ Q: Q2 k
gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his% ] J$ O, {! |
diploma to show it to his parents, and there was an autographed copy of the menu in Chinese and, v. j6 ~. D3 l u3 L6 z
no diploma. [laughter, applause] It was one of the few times I got the better of him, I have to( `% \& S; A- r& R" ?
confess. Well here we are today, all of us, and hundreds and hundreds of people all over the5 t3 y3 w. s5 e
country, I dare say all over the world, participating in this great event to celebrate you and your life.4 K; L( R8 v/ g5 M- D, Q
Randy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
4 F) K& X+ O/ [# ]" Yacademic, especially as a mentor to your students. Your Disneyland expeditions not only were
" P5 r0 q5 @5 b) Eunique but they are legendary. You have more than fulfilled the terms of Brown University Charter,) U2 u+ L- t1 b/ S; v
which are: to discharge the offices of life with usefulness and reputation. Your utter devotion to `5 z& i$ I6 r- R; E
your family and your career are exemplary, and continue unabated as you cope with the immensity. z- ?' A4 |* d7 a9 S$ k# l, }
of your situation. You exemplify undaunted courage and grace under pressure. The most terrible
; o' _/ L1 B7 Ypressure one can imagine. Randy, you have been and you will continue to be a role model for us.8 }( X: F% V; c2 e8 m
[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell `3 p6 g3 z3 Y1 {* v
you privately and in such a public way how much we admire, honor, and indeed love you. [applause]+ `0 E! ~ p ~) N8 l
[standing ovation]
8 L, @$ U1 B3 j& Q4 ?
% S+ N0 f$ H$ o. ~9 t0 n[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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